A Mad, Burning Desire

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A Mad, Burning Desire

October 18 @ 7:00 pm - 8:30 pm EDT

donations gratefully accepted

Join us for engaging music and dialogue about the ways mental illness was portrayed in early modern England and to think about the ways we can address the mental health crisis in contemporary society. The first English actresses to legally take the stage capitalized on early modern society’s fascination with mental illness and catapulted themselves to fame by portraying characters who descended violently into lovesick madness on the Restoration stage. Women were legally permitted to take the public stage in England in 1662, but this gigantic advancement for women’s rights was fraught with immense political and sexual tension. From those who decried the immorality of women performing in public to those who fetishized, courted, and even raped them, nearly everyone had an opinion about the women who were putting themselves on stage. Concurrently, English philosophers and medical experts alike began to think of psychological maladies as medical conditions requiring treatment by doctors rather than as spiritual deficiencies to be handled by religious authorities. At the visual epicenter of London’s cultural fascination with madness was Bethlehem Royal Hospital (Bedlam), which was transformed from a dilapidated hospital into a sprawling mental institution with space for over 200 patients in 1676. The tradition of wealthy individuals paying to observe Bedlam’s residents began in 1610, and by the end of the century, visitors regularly came to Bedlam to be entertained by those society deemed insane. This cultural phenomenon of making a spectacle of the mentally ill converged with spectacular mad scenes that were brought to life by the first English actresses in the Restoration theater. “A Mad, Burning Desire” features mad songs by Henry Purcell, John Eccles, Godfrey Finger and John Blow that captivated London’s theatre-going audiences in the 1690s. Accessible concert space and restrooms Burning River Baroque gratefully acknowledges the generous support of the following organizations: Cuyahoga Arts and Culture Ohio Arts Council Cleveland Foundation Early Music America Yellow Springs Arts Council Art House Inc. Blank Canvas CLE St. John’s Episcopal Church WYSU 88.5 FM Accessibility: Burning River Baroque is committed to providing excellent experiences, engaging the broadest possible audiences, and breaking down barriers to participation. All concerts can provide large print programs. Requests for professional services should be made at least two weeks in advance. Accessibility information for each venue can be found at https://www.burning-river-baroque.org/current-programs. For all questions, contact directors@burning-river-baroque.org. “Burning River Baroque left an indelible imprint on my psyche.” -The Boston Musical Intelligencer-

Details

Date:
October 18
Time:
7:00 pm - 8:30 pm
Cost:
donations gratefully accepted
Website:
https://www.burning-river-baroque.org/current-programs

Organizer

Burning River Baroque
Phone:
917-754-5549
Email:
directors@burning-river-baroque.org
Website:
https://www.burning-river-baroque.org/current-programs

Other

Performers/Faculty
Malina Rauschenfels, soprano; Paula Maust, harpsichord

Venue

St. John’s Episcopal Church
323 Wick Ave.
Youngstown, OH 44503, 44503 United States
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Website:
https://www.burning-river-baroque.org/current-programs