CD Review: Beethoven With Period Style
The sheer joy that cellist Jaap ter Linden and fortepianist David Breitman describe in the liner notes about getting to play this music with each other is on display throughout the album.
The sheer joy that cellist Jaap ter Linden and fortepianist David Breitman describe in the liner notes about getting to play this music with each other is on display throughout the album.
Recorder player Olwen Foulkes has assembled a real Baroque grab bag packed with plenty of technical and expressive possibilities. Listeners might not even notice that, apart from two pieces, none of the music on this disc was actually intended for her instrument.
Vivaldi’s highly-structured, often virtuosic, and incredibly expansive catalog of works may sometimes blur together, but recorder player Vincent Lauzer and Canada’s Arion Baroque Orchestra illuminate its formal as well as its expressive variety.
The origins of these works in private musicking, the spare accompaniment, and the musicians’ sensitive interplay make this a thoroughly intimate affair.
A listener could enjoy this disc for years without ever finding out (or caring) that it is a reissue of a 1979 Archiv LP. Trevor Pinnock and The English Concert’s contributions to early music and historically-informed performance are now the stuff of textbooks, yet nearly 40 years later these performances continue to crackle with energy and insight.