Reviews by the editorial staff of Early Music America. Have a new recording or book? Submit it for consideration.
She spent most of her life in the convent and composed prolifically. Suor Isabella Leonarda's sacred and instrumental music is given deluxe performances in this terrific new recording.
Machaut’s narrative poem and music for 'The Remedy for Fortune' is a collaborative recording between two of America’s leading ensembles, Blue Heron and Les Délices. The results is musically compelling and makes for cohesive storytelling.
The Indigenous peoples of British North America did the trapping and skinning of animal pelts and traded them to European settlers. To keep these mutually beneficial exchanges flowing, the disparate cultures used music, dance, and sound as a vital means of communication. This fascinating book explores how music helped forge cross-cultural trade.
A new recording of sacred music from Brazil's first emperor, Pedro I, shows a skilled composer working in a delightful bel canto style and with theatrical flair. But Pedro's populist reputation (and the recording project itself) taps into today's charged political climate.
Barokkbandið Brák’s multifaceted artistic vision is the real deal. The Icelandic period-instrument ensemble cultivates a dual-pronged musical practice—Renaissance and Baroque works combined with contemporary commissions. Their playing is refined, their vision thoroughly compelling.
Billed as the first complete recording of William Byrd's final work, his 'Psalmes, Songs, and Sonnets,' this new release features two outstanding British ensembles, The Sixteen and Fretwork.
The latest recording from the U.K.-based ensemble Spiritato highlights sonatas from the Düben Collection, a huge trove of manuscripts used at the Swedish Royal Court from 1640 to 1720 and containing some of the earliest known music to combine strings and trumpets.
Rumi's poetry has received wide attention in recent decades, as has the Sufi order inspired by his poetry. While scholars have devoted attention to the poet himself, its musical ceremony has not been as well studied. This book helps fill that gap.
It's a pleasure listening to Mahan Esfahani’s recent recordings of some of J.S. Bach’s most iconic music for solo harpsichord, including the Six Partitas, Italian Concerto, and French Overture. Together these two discs make a logical, satisfying pairing. They’re exuberantly alive, loaded with insight.
A best-of disc from 2022. The New York-based Makaris ensemble takes a refreshing, historically informed approach to 18th-c. Scottish tunes, (mis)attributed to David Rizzio.