Vivaldi’s highly-structured, often virtuosic, and incredibly expansive catalog of works may sometimes blur together, but recorder player Vincent Lauzer and Canada’s Arion Baroque Orchestra illuminate its formal as well as its expressive variety.
The origins of these works in private musicking, the spare accompaniment, and the musicians’ sensitive interplay make this a thoroughly intimate affair.
A listener could enjoy this disc for years without ever finding out (or caring) that it is a reissue of a 1979 Archiv LP. Trevor Pinnock and The English Concert’s contributions to early music and historically-informed performance are now the stuff of textbooks, yet nearly 40 years later these performances continue to crackle with energy and insight.
Rebecca Pechefsky makes an engaging addition to the catalog with confident, characterful interpretations of Bach’s “other” 24 preludes and fugues composed in all major and minor keys.
Tenor Karim Sulayman and the Cleveland-based ensemble Apollo’s Fire under Jeannette Sorrell’s direction run the historical/stylistic gamut with emotional engagement and technical aplomb.