In a program swaddled by Marin Marais’ supple three-viol Suite in D Major at the outset and François Couperin’s sumptuous L’Impériale from Les Nations to close, it seems unlikely that a battle of the sexes would break out. But that’s what happened Saturday, August 8, in the second of two American Bach Soloists evenings devoted to “Versailles & The Parisian Baroque” at the San Francisco Conservatory of Music.
