Included in the Full Issue
- Good Musicians Borrow, Great Musicians Steal by Tina Chancey
- Early Music on Tour. Who’s Buying? by Kyle MacMillan
- EMA 2025 Virtual Summit, an introduction
- Hidden Virtuosas: The Women of Venice’s Ospedali by Anne Schuster Hunter
- Getting Kids Hooked by Anna F. Porcaro
- Is Historical Performance Still Controversial? by Jacob Jahiel
- Pied Piper of the Southeast by Anne E. Johnson
- From the Publications Director: Moments of Clarity by Pierre Ruhe
- From the Executive Director: Make Our Voices Heard by David McCormick
- EMA Courant: News from Around the Early-Music Community by Paulina Francisco
- Canto: A Real Boy and a Real Job by Mira Fu-En Huang
- EMA’s Recording & Book Reviews
- EMAg Puzzle by Joshua Kosman
- Musings: No One’s Picking on Early Music by Thomas Forrest Kelly
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Features
Early Music on Tour. Who’s Buying?
Presenters and university concert series have been a place to catch some of the best period instrument ensembles on tour. We speak with a range of presenters and learn that while that’s becoming a harder sell at some venues, other locations have a loyal audience with open ears.
