Early Music News & Reviews

Using the in-vogue terms of 'media' and 'materiality,' this collection finds insights in the objects of everyday music-making. Its chapters cover a range of topics, from conventional notation to the layout and decorations of illuminated manuscripts. In case after case, the visual, textual, and tactile effects of a manuscript impacted how the musicians engaged with its content.

This is a deeply satisfying new recording from the Indiana-based Alchymy Viols, joined by countertenor Michael Walker II. In his notes, Walker defines spirituals as preserving the history, sadness, joy, and hope of the enslaved Africans’ experience in the Americas. Their historically informed approach treats this repertoire in ways that feel both surprising and familiar.

For a time, countertenor Russell Oberlin was the star of the American early-music scene, from concert and recital halls to TV appearances and on best-selling records. But his career was short-lived, and performance styles evolved away from his dated, often mannered delivery. But what a sensationally beautiful voice. A new box set captures Oberlin in his prime, singing with some of the great pioneers of the early-music movement.

For a series devoted to 'neglected figures from Irish musical history,' Peter Whelan and the Irish Baroque Orchestra unearthed a 1767 program sung by Rachel Baptist, billed as a 'Black Syren.' On this lovely recording, soprano Rachel Redmond and the orchestra inhabit Baptist's world, making 'a connection through the centuries.'