Engagement Awards

Early Music America offers awards of up to $2,500 annually to support engagement projects for children and/or adults by organizations, ensembles, and individual artists. The awards are intended to promote awareness and appreciation of early music and historical performance with the goal of drawing new audiences and participants.

Seed Grants: If an organization has a new engagement program and has no prior engagement experience, the judges may choose to award a “seed grant” rather than an Engagement Award. If, during the year covered by the seed grant, the organization implements its program successfully, application for a full or partial engagement ‘implementation’ award may be made the following year. However, depending on the strength of other applications that year, there is no guarantee that such an award will be given.


Engagement includes, but is not limited to, the following:

  • Early-music activities that focus on children, in or out of school.
  • Early-music activities in public and private schools.
  • Lifelong learning courses on early music.
  • Web, video, podcast, or other creative activities that advance public awareness and enjoyment of early music.
  • Early-music activities that reach underserved audiences and populations and historically underfunded racial or ethnic identity groups, especially African-American, Asian-American, Latinx, and Indigenous communities.

2025 Recipients

Academía Libre en Especialización Musical, Mexico City, Mexico

To support the “Early Music Certificate Program” which allows musicians of any level to get acquainted with early music instruments and gain knowledge of early music basic theories and practices, including individual lessons with experienced teachers and group lessons on topics such as early musical sources and paleography, improvisation and ornamentation, solmization and chant, or basso continuo.

Academia de Música Antigua de Medellín, Medellín, Colombia (seed grant)

To support the first Latin American Conference of Baroque Violin-Making which seeks to bridge the gap between historical instrument craftsmanship and Historically Informed Performance in the region. This two-week event will bring together violin makers from Colombia, Brazil, Mexico, and other Latin American lands for an intensive program of workshops, lectures, and hands-on training in baroque violin construction.

Ars Lyrica Houston, Houston, Texas

To support Orígenes: Voice and Percussion through the Ages, a bilingual program curated by Mexican-born mezzo-soprano Cecilia Duarte and Spanish-born percussionist Jesús Pacheco. The program explores the development of voice and percussion instruments through the ages with a focus on Spanish and Latin American cultures. Students learn how these instruments were used for communication, accompanying people through the everyday human experience: from festive celebrations to poignant moments of sorrow and drama.

Bach Collegium San Diego, San Diego, CA

To support Bach to Bop, a new education program that teaches elementary students about the music styles of baroque and jazz. Students learn about rhythm, melody, harmony, form, bass line, scatting, story-telling, ornamentation, and improvisation. Students are engaged in an interactive class format, including call and response, creating their own rhythms in the styles, and even improvising over an ostinato bassline.

Fundación Cultural Villanueva, La Serena, Chile

To support a visit by plucked strings specialist Eduardo Eguez, including educational activities in early music: the first one directed at children who are members of the OEMA, Orquesta Escolar de Música Antigua, and the second, an evening masterclass open for musicians of all ages. Additionally, an educational concert on early music will be held for the community of the public school Pedro Aguirre Cerda along with a main concert at the Santa Inés Cultural Center. All activities will be free and open to the community.

Pendulum Early Music, Boise, Idaho (seed grant)

To support a partnership with the Boise School District and conduct a seven day in-class baroque workshop for Boise High School’s chamber orchestra. Over the course of the seven-day workshop, students will form small ensembles to prepare repertoire of the 17th and 18th centuries. The workshop will conclude with a with a public performance in downtown Boise.

Sarasa Chamber Music Ensemble, Cambridge, Massachusetts

To support “Immersing incarcerated youth and our local community in the music of @1775: Boston, London, Paris & Vienna.” As part of the semi-quincentennial celebration of the Battles of Lexington and Concord (“Lex250”) taking place in Eastern Massachusetts in 2025, Sarasa will present chamber music which highlights works performed around the time of the American Revolution. Sarasa will bring this music to incarcerated teenagers at Metro-Boston facilities as part of our ‘Music Unlocked’ program with presentations at Dorchester Youth Services facilities.

  • Applications are available January through March 31 of each year.
  • All applicants will be notified in June whether or not they receive an Engagement Award and award payments.
  • Recipients will receive payment in June.

We highly encourage you to submit your application several days prior to the deadline, so we can resolve any issues in a timely manner. We will not be able to accept any applications after the deadline has passed.

Questions about this application may be sent to specialprojects@earlymusicamerica.org.

  • EMA Membership IS NOT required to apply for or receive an Engagement Award.
  • Current EMA board members and staff are not eligible to apply.
  • Each applicant may submit no more than one proposal per year.
  • Award recipients are ineligible to apply until the third year following their award. (Ex. If you receive an Engagement Award in 2025, you may apply again in 2028.)
  • Proposed projects must take place anytime between July of the award year and June of the following year.
  • Projects must take place in North, Central, or South America.
  • Awardees are required to submit a final report, including high resolution video or photos, following the completion of their Engagement Award-funded project. Final reports should be submitted within one month of the completion of the project and no later than June 30 the year after receiving the Engagement Award.
  • Name of Applicant (Individual, Ensemble, or Organization)
  • Applicant email, phone, and address
  • Primary Contact name
  • Project Description: provide a description of the project for which the award will be used. (500 words)
  • Project Impact: provide an estimated impact of the project (i.e. number of students served, hours of contact time, etc). (500 words)
  • Project Dates
  • Educational/Engagement Activities: provide a description and any web links that would demonstrate previous educational/engagement activities. (500 words)
  • Project Budget (PDF only) showing projected revenues and expenses. Please also include any in-kind revenues and expenses as well as income you hope to receive from the award.
  • Biographical Information: summarize your institution’s history in one paragraph, with a link to your website (if applicable) and include a short bio of key individuals involved in the project. (500 words)
  • Supporting Documents: while not required, you may upload any brochures, programs, or curriculum materials for proposed project or past activities to support your application. (Multiple files and file types are accepted.)

JUDGING CRITERIA

-Impact of project: does it reach groups/communities with limited opportunities to engage with early music?

-Creativity: Is the project innovative and engaging?

-Artistic excellence: does the individual or group have a reputation for performing early music at a high level?

-Capacity: has the individual or group shown prior success in engagement activities?

-Impact of award: will funds from EMA make a difference in the ability of this project to take place?

2024

Amelia Sie
Bach & Beethoven Experience
Forgotten Clefs

2023

Early Music Associates
KC Baroque Consortium
Les Délices
Musicians of the Old Post Road
Seattle Historical Arts for Kids

2022

Kasia Bielak-Hoops
Jonathon Hampton
Vikram Joshi
Sarasa Chamber Music Ensemble
Sonido Barroco San Antonio

2020-21

No Awards Given

2019

The Brandenburg Project
Burning River Baroque
Kaleidoscope Vocal Ensemble
Arkansas Baroque Music, Inc.

2018

Les Délices
Forgotten Clefs
Savannah Baroque
S’Cool Sounds

2017

Ars Musica Chicago
Bach Around the Clock
Early Music Associates
Seattle Historical Arts for Kids
Singen und Sagen

2016

Blue Hill Bach
Carol Lewis
Catacoustic Consort
Polyhymnia
Special Music School

2015

Belladonna
Early Music in Motion
Julie Elhard
Les Canards Chantants
Pegasus Rising

2014

Filigree Baroque
Lycoming Baroque Choir and Orchestra (formerly Billtown Baroque)
Salish Sea Players
Three Notch’d Road
World of Harpsichord

2013

The Connecticut Early Music Society
Jouyssance Early Music Ensemble

2012

Ars Lyrica Houston
Echoing Air
Jessica Powell and the Capitol Consort of Viols
MYSO (Milwaukee Youth Symphony Orchestra) Baroque Players
The Rose Ensemble

2011

Catacoustic Consort
Jessica Powell and the Capitol Consort of Viols
Lisa Terry
Seattle Historical Arts for Kids

From 2011 to 2017 Early Music America offered grants annually to college or university Early Music Ensembles to support a specific project or event that will enrich or broaden the educational experience of the students, and/or help to elevate the profile of such ensembles on campus, in their community or nationally.

2017

Reed College Collegium Musicum

2016

Case-Western Reserve University Baroque Chamber and Dance Ensembles
Texas Tech University Early Music Ensemble

2015

University of Oregon Collegium Musicum

2014

CWRU Baroque Music and Dance Ensembles
Cornell Baroque Orchestra

2013

Rutgers Mason Gross School for the Arts
Western Michigan University Collegium Musicum

2012

Metropolitan State College of Denver Early Music Ensemble
St. Olaf Early Music Singers and Collegium Musicum

2011

The University of Texas at Austin Early Music Ensemble

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