Engagement Awards

Early Music America offers awards of up to $2,500 annually to support engagement projects for children and/or adults by organizations, ensembles, and individual artists. The awards are intended to promote awareness and appreciation of early music and historical performance with the goal of drawing new audiences and participants.


2026 Engagement Award Recipients

  • Academía Libre en Especialización Musical (ALEM), Mexico/Hybrid
  • The Early Music Course at ALEM provides accessible, hybrid training in historically informed performance for students across Mexico and Latin America. The program combines individual instruction, theory classes, and ensemble performance, emphasizing Latin American and New Spain repertoires alongside European Baroque music. In 2026–27, ALEM will expand with new Baroque Opera and Baroque Orchestra programs, broadening opportunities for specialized study and performance.
  • Baroque Music Montana, United States
  • Baroque Music Montana will bring interactive Baroque music performances to rural Montana schools during its 2026–27 season, expanding arts access for K–12 students with limited opportunities to experience live music. Programs will feature performances, period instrument demonstrations, historical context, and Q&A sessions tailored to each school. By reducing geographic and economic barriers, the project fosters curiosity, connects students with history through music, and strengthens community engagement while inspiring future audiences across Montana.
  • Coro y Orquesta del Manzano Jesuítico, Bolivia
  • Sounds of La Plata trains members of Coro y Orquesta del Manzano Jesuítico in historically informed performance through archival study, Baroque performance workshops, and community concerts. Children will learn to read colonial manuscripts, explore period techniques, and present Sucre’s cathedral music to local audiences while explaining its historical significance. By connecting archival heritage with performance and education, the project preserves Bolivia’s musical legacy and inspires children to engage with early music as a living tradition.
  • Research Group La improvisación dentro del aprendizaje de los estilos musicales, Universidad de Antioquia, Colombia
  • Improvising Style: Tools for Musical Fluency develops an open-access pedagogical model that uses improvisation to teach Renaissance and Baroque performance practice in Latin America. Created by the Universidad de Antioquia Research Group, the project integrates historical research with regional oral traditions through interactive digital tools, workshops, and experimentation. By emphasizing perception, internalization, and creation, it broadens access to historically informed performance and makes stylistic fluency a shared, inclusive musical practice.
  • SaSa Sounds, United States/Hybrid
  • Pluck Lot expands access to early music through interactive, hybrid programming led by SaSa Sounds in partnership with the Lute Society of America. The initiative includes a free online series, an ongoing blog, and Pluck Lot Fest 2027, combining performances, education, and community events. Serving audiences from first-time listeners to professionals, Pluck Lot reduces geographic and financial barriers while fostering meaningful connections, sustained participation, and broader engagement with historically informed performance.

Engagement includes, but is not limited to, the following:

  • Early-music activities that focus on children, in or out of school.
  • Early-music activities in public and private schools.
  • Lifelong learning courses on early music.
  • Web, video, podcast, or other creative activities that advance public awareness and enjoyment of early music.
  • Early-music activities that reach underserved audiences and populations and historically underfunded groups.
  • All applicants will be notified of results in in May.
  • Recipients will receive payment in June 2027.

We highly encourage you to submit your application several days prior to the deadline, so we can resolve any issues in a timely manner. We will not be able to accept any applications after the deadline has passed.

Questions about this application may be sent to specialprojects@earlymusicamerica.org.

  • EMA Membership IS NOT required to apply for or receive an Engagement Award.
  • Current EMA board members and staff are not eligible to apply.
  • Each applicant may submit no more than one proposal per year.
  • Award recipients are ineligible to apply until the third year following their award. (Ex. If you receive an Engagement Award in 2026, you may apply again in 2028.)
  • Proposed projects must take place anytime between July of the award year and June of the following year.
  • Projects must take place in North, Central, or South America.
  • Awardees are required to submit a final report, including high resolution video or photos, following the completion of their Engagement Award-funded project. Final reports should be submitted within one month of the completion of the project and no later than June 30 the year after receiving the Engagement Award.

If an organization has a new engagement program and has no prior engagement experience, the judges may choose to award a “seed grant” rather than an Engagement Award. If, during the year covered by the seed grant, the organization implements its program successfully, application for a full or partial engagement ‘implementation’ award may be made the following year. However, depending on the strength of other applications that year, there is no guarantee that such an award will be given.

  • Name of Applicant (Individual, Ensemble, or Organization)
  • Applicant email, phone, and address
  • Primary Contact name
  • Project Description: provide a description of the project for which the award will be used. (500 words)
  • Project Impact: provide an estimated impact of the project (i.e. number of students served, hours of contact time, etc). (500 words)
  • Project Dates
  • Educational/Engagement Activities: provide a description and any web links that would demonstrate previous educational/engagement activities. (500 words)
  • Project Budget (PDF only) showing projected revenues and expenses. Please also include any in-kind revenues and expenses as well as income you hope to receive from the award.
  • Biographical Information: summarize your institution’s history in one paragraph, with a link to your website (if applicable) and include a short bio of key individuals involved in the project. (500 words)
  • Supporting Documents: while not required, you may upload any brochures, programs, or curriculum materials for proposed project or past activities to support your application. (Multiple files and file types are accepted.)

JUDGING CRITERIA

-Impact of project: does it reach groups/communities with limited opportunities to engage with early music?

-Creativity: Is the project innovative and engaging?

-Artistic excellence: does the individual or group have a reputation for performing early music at a high level?

-Capacity: has the individual or group shown prior success in engagement activities?

-Impact of award: will funds from EMA make a difference in the ability of this project to take place?

2025

Academía Libre en Especialización Musical (seed grant)
Academia de Música Antigua de Medellín
Ars Lyrica Houston
Bach Collegium San Diego
Fundación Cultural Villanueva
Pendulum Early Music (seed grant)
Sarasa Chamber Music Ensemble

2024

Amelia Sie
Bach & Beethoven Experience
Forgotten Clefs

2023

Early Music Associates
KC Baroque Consortium
Les Délices
Musicians of the Old Post Road
Seattle Historical Arts for Kids

2022

Kasia Bielak-Hoops
Jonathon Hampton
Vikram Joshi
Sarasa Chamber Music Ensemble
Sonido Barroco San Antonio

2020-21

No Awards Given

2019

The Brandenburg Project
Burning River Baroque
Kaleidoscope Vocal Ensemble
Arkansas Baroque Music, Inc.

2018

Les Délices
Forgotten Clefs
Savannah Baroque
S’Cool Sounds

2017

Ars Musica Chicago
Bach Around the Clock
Early Music Associates
Seattle Historical Arts for Kids
Singen und Sagen

2016

Blue Hill Bach
Carol Lewis
Catacoustic Consort
Polyhymnia
Special Music School

2015

Belladonna
Early Music in Motion
Julie Elhard
Les Canards Chantants
Pegasus Rising

2014

Filigree Baroque
Lycoming Baroque Choir and Orchestra (formerly Billtown Baroque)
Salish Sea Players
Three Notch’d Road
World of Harpsichord

2013

The Connecticut Early Music Society
Jouyssance Early Music Ensemble

2012

Ars Lyrica Houston
Echoing Air
Jessica Powell and the Capitol Consort of Viols
MYSO (Milwaukee Youth Symphony Orchestra) Baroque Players
The Rose Ensemble

2011

Catacoustic Consort
Jessica Powell and the Capitol Consort of Viols
Lisa Terry
Seattle Historical Arts for Kids

From 2011 to 2017 Early Music America offered grants annually to college or university Early Music Ensembles to support a specific project or event that will enrich or broaden the educational experience of the students, and/or help to elevate the profile of such ensembles on campus, in their community or nationally.

2017

Reed College Collegium Musicum

2016

Case-Western Reserve University Baroque Chamber and Dance Ensembles
Texas Tech University Early Music Ensemble

2015

University of Oregon Collegium Musicum

2014

CWRU Baroque Music and Dance Ensembles
Cornell Baroque Orchestra

2013

Rutgers Mason Gross School for the Arts
Western Michigan University Collegium Musicum

2012

Metropolitan State College of Denver Early Music Ensemble
St. Olaf Early Music Singers and Collegium Musicum

2011

The University of Texas at Austin Early Music Ensemble

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