Bach at Se7en

by
Published March 2, 2016

6081213

Contributed by Benjamin K. Roe

In yesterday’s post we talked about a noontime Bach series that’s taken place in the Nation’s Capital for more than a quarter century. In Philadelphia, they prefer their Bach@Seven, thanks to the intrepid efforts of Choral Arts Philadelphia. Artistic director Matt Glandorf tells the Philadelphia Examiner, “The goal was inspired by the large number of citizens of Leipzig, regardless of wealth, who attended the cantata performances back in Bach’s time.”

Translated into our time, that means these Bach concerts start at 7, last an hour, and are come-as-you are; pay-what-you-will; and sit-where-you-want.

For its current season, including this Early Music Month, Choral Arts Philadelphia and the Philadelphia Bach Collegium have billed these Bach concerts as “Something Old, Something New.” The seven o’clock series now combines Bach Cantatas with contemporary works that are somehow connected, either thematically, structurally, or otherwise inspired by Bach.

Tonight’s program, for example, features three of the beloved Motets by Bach, among the composers most compelling and enduring vocal works, along with contemporary composer Philip Moore’s Three Prayers of Dietrich Bonhoeffer.

Check out this little video sample of Bach@Seven:

download
Bach’s Motets are set to texts of prayer, devotion, and redemption from sin. The 1995 film Se7en, explores quite the opposite: “Two detectives, a rookie and a veteran (played respectively by Brad Pitt and Morgan Freeman) hunt a serial killer who uses the seven deadly sins as his modus operandi.” Yet Bach figures heavily in this “Seven” too: The famous Air from his Orchestral Suite No. 3 figures prominently throughout the soundtrack, adding a strong emotional underpinning to many of the movie’s gripping scenes, as you can see in this video clip.

By the way, the movie database IMDB reports that Se7en is one of an eye-popping 992 movie soundtracks in which Bach’s music appears, stretching back as far as 1931’s Dr. Jekyll & Mr. Hyde, and as current as this year’s Zoolander 2. Maybe it’s old J.S.’s turn to receive a Lifetime Achievement Award at the Oscars!

This blog post contributed by Benjamin K. Roe, EMA Board Chair of Early Music Month and Executive Director of The Heiftetz International Music Institute.


Recent EMA Features

Be Smart on A.I. or Get Left Behind

Published:
In music, we typically absorb emerging high-tech when it's useful to us, from MIDI to digital editing. Artificial intelligence presents an unparalleled challenge and unlocks potential that strains the imagination. What's clear is that the best output from a modern A.I. tool occurs when you already have subject matter expertise.
Read More Be Smart on A.I. or Get Left Behind

When the Music Fades: REMA’s 2025 Early Music Survey

Published:
In its annual survey of the field, REMA-European Early Music Network received alarming input from its members on funding cuts. The impact will be felt across the sector, even as many European organizations rely heavily on public subsidies. It may mean 'fewer concerts, safer and less diverse programming, less work for independent musicians, and more pressure on organizations that were already trying to hang on.'
Read More When the Music Fades: REMA’s 2025 Early Music Survey

More News & Reviews

Scroll to Top