Early Music America

Johann Theile St. Matthew Passion – Arcadia Players

New England’s Period Instrument Ensemble Andrew Arceci, Artistic Director Johann Theile St. Matthew Passion Arcadia Players Ensemble and Chorus, with soloists William Hite, tenor, and John Salvi, baritone Directed by Gregory Hayes Sunday, April 2nd at 4pm Bombyx Center, Florence MA The German composer Johann Theile—a gifted pupil of Heinrich Schütz and a teacher of […]

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Handel and Haydn Society Present Bach’s Easter Oratorio

(Boston) Esteemed Italian conductor Rinaldo Alessandrini joins the Handel and Haydn Society for the award-winning organization’s performances of Bach’s Easter Oratorio. The Gramophone award winner and Grammy nominee will be front and center March 31 + April 2, 2023, at Symphony Hall in Boston. The concerts will also include Antonio Bononcini’s Stabat Mater. For both

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MASTERVOICES PRESENTS O HOW GOOD, MARCH 23, AT CENTRAL SYNAGOGUE

MasterVoices continues its eclectic 2022-23 season on March 23 at Central Synagogue with Ted Sperling leading O How Good, a performance of Jewish sacred music. The program includes two beloved works of traditional Jewish liturgy set by master composers – Ernest Bloch’s Sacred Service and Kurt Weill’s Kiddush – as well as the world premiere

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NAVRS & England’s Golden Age of Consort Music w/ Tish Berlin

North American Virtual Recorder Society: England’s Golden Age of Consort Music with Tish Berlin Saturday, March 25 at 2PM, ET Join Tish Berlin to learn why the 16th century was the golden age for recorder consort music in England. Berlin will lead an exciting playing session featuring the works of William Mundy, who was regarded

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Thrilling Trilling: NAVRS Workshop w/ Anne Timberlake

Thrilling Trilling North American Virtual Recorder Society Workshop with Anne Timberlake Sunday, March 19 at 7:30PM, ET Ornamentation is the practice of adding to, or changing, or both, what’s on the page– is an integral part of playing music from the Renaissance and Baroque eras. Trilling is essential to recorder playing, but there’s so much

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