Early Music America

HARPISTS EAGER to explore music for the instrument from 18th-century Ireland and from Medieval European, as well as musicians from any genre looking to overcome performance anxiety, will benefit from new courses from The Historical Harp Society of Ireland. The Historical Harp Society of Ireland’s autumn Acadamh na gCláirseach—Academy of Early Irish Harp will present […]

Featuring a years-in-the making return to Beethoven’s Symphony No. 9 with soloists Heidi Stober, Daniela Mack, William Burden, and Eric Owens. BOSTON, MA—Boston Baroque opens its season with a return to Beethoven’s iconic Symphony No. 9 alongside his “Coriolan” Overture and “Elegiac Song.” Performances will take place on Friday, October 13 at 8pm at Sanders Theatre

We are currently looking for doctoral researchers with an outstanding artistic record, strong research skills, and transdisciplinary interests to join one of our research clusters: Declassifying the Classics: Technology, Rhetoric, and Performance, 1750–1850 Resounding Libraries: Unfolding Archived Knowledge Through Artistic Research HIPEX (Historically Informed Performance Practices of Experimental Music) Music, Thought and Technology Metamusic: Shaping

A “Classical Confluence” from across the pond! Featuring the U.S. debut of the acclaimed U.K. ensemble Siglo de Oro. Described by The Washington Post as “genuinely beautiful…rapturous musicmaking”, the Washington, D.C.-based Suspicious Cheese Lords join forces with Siglo de Oro to present a scintillating joint program of early music. The Suspicious Cheese Lords will sing

For this online release of our May 7 in-person concert, Rezonance once again brings you the music of Scottish composer James Oswald! Oswald wrote “Airs for the Seasons” as a collection for combinations of flute or violin plus continuo. Thematically, they are grouped into four seasons and each air is named after a flower. This