Community News

“Byrd and Weelkes and Quadricentennial”

Jouyssance pays homage to two giants of the English Renaissance who died in 1623: William Byrd and Thomas Weelkes. The program will feature Byrd’s beloved Mass for Four Voices and Weelkes’ popular madrigal honoring Queen Elizabeth I, As Vesta was from Latmos Hill Descending. Plus enjoy beautiful motets and sometimes hilarious madrigals by both composers. […]

“Byrd and Weelkes and Quadricentennial” Read More »

RenChorNY presents the Music of Heinrich Isaac for Church and State

  RenChorNY under Dr. Richard Porterfield returns to “Choralis Constantinus“, as in our 1959 LP, and the great Hapsburg Court work created for Maximilan I, the Brilliant six part “Virgo Prudentissima”, the Glorious  five part Marian hexachord fantasy “O decus ecclesiae Virgo”, the Lyrical Song of Solomon: “Tu pulchra es”, and the Humanistic (folk-themed) “Missa

RenChorNY presents the Music of Heinrich Isaac for Church and State Read More »

Piffaro opens its season in England, 1623: The Year the Music Died

Piffaro’s 39th subscription season, the second under the artistic leadership of Priscilla Herreid, opens with a program provocatively titled The Year the Music Died. That year was 1623, when composers William Byrd, Thomas Weelkes, and Philip Rosseter all passed away within months of each other, and with them the era of Elizabethan music. Of her

Piffaro opens its season in England, 1623: The Year the Music Died Read More »

Jay Michaels appointed president of The Historical Harp Society

Jay Michaels has recently been elected to the position of President of The Historical Harp Society. The HHS promotes the exchange of ideas and information about early harps and encourages research on the building of early harps, harp music composed before the modern era, and the performance practices of those earlier eras relating to the

Jay Michaels appointed president of The Historical Harp Society Read More »

Contemporary Musical Improvisation in Taiwan: Cross-Cultural Research

Musical improvisation in Taiwan weaves diverse, multicultural influences from traditional to contemporary practices across various musical genres. The rhetoric articulated by performers reflects the prevailing socio-cultural milieu and historical context. It serves as a medium for the convergence of artistic tastes and expressions. This CD album extends Hsuan Chang Kitano previous research on musical improvisation

Contemporary Musical Improvisation in Taiwan: Cross-Cultural Research Read More »

Scroll to Top