Archives: Events

February 25, 2026 @ 6:00 pm – 7:00 pm – Baroque Music Montana reunites friends from Juilliard for intimate performances. A charming and stylish virtuoso harpsichordist from Madrid shares character dance pieces by Spanish composers Cabezon, Cabanilles, and from the collection Flores de Musica of 1709, sonatas by Scarlatti and Bach’s French Suite in E-flat major. Bozeman-based Baroque violinist Carrie Krause joins for work by […]

February 26, 2026 @ 1:15 pm – 2:00 pm – Viaggio d’Amore   Rocky Duval ~ mezzo-soprano Luce Burrell ~ lute & theorbo Caroline Nicolas ~ viola da gamba Viaggio d’Amore features music from early 17th-century Italy. The program explores the tenuous nature of love and takes the audience through the stages of love: hope, infatuation, fighting, the breakup, and even a happy ending. Lazzuli Baroque was […]

February 26, 2026 @ 7:30 pm – 8:30 pm – Baroque Music Montana reunites friends from Juilliard for intimate performances. A charming and stylish virtuoso harpsichordist from Madrid shares character dance pieces by Spanish composers Cabezon, Cabanilles, and from the collection Flores de Musica of 1709, sonatas by Scarlatti and Bach’s French Suite in E-flat major. Bozeman-based Baroque violinist Carrie Krause joins for work by […]

February 27, 2026 @ 5:00 pm – 6:00 pm – Tenet presents three lenten programs in a candlelit chapel to help you escape our bustling city. Each program starts with a quiet moment of meditation followed by music by French Baroque composer Marc-Antoine Charpentier and his contemporaries set to sacred texts that explore litanies, lessons, and laments. Designed to ease your mind at the week’s […]

February 27, 2026 @ 7:00 pm – 9:00 pm – Johann Sebastian Bach Clavierübung III A revered interpreter of the music of J.S. Bach, James O’Donnell is Professor of Organ at Yale University and former Organist and Master of the Choristers at Westminster Abbey. In this inaugural concert, O’Donnell will present a rare performance of Bach’s Clavierübung III in its entirety—considered by many to be among Bach’s finest collections. […]