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What Remains; Tenebrae and Lament in the French Baroque

Concerts, Early Music Month Events

March 21, 2026 @ 7:30 pm – 9:00 pm – What remains when time and history have taken their toll?   This Lenten program centers on the three surviving Troisième Leçons de Ténèbres by Michel-Richard DeLalande, each drawn from a different day of the Tenebrae office and all that remain of a once-complete cycle of nine Leçons. Their incompleteness becomes part of the meditation, bearing […]

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Les Touches presents Tears of Sorrow and Joy

Concerts, Early Music Month Events

March 22, 2026 @ 2:00 pm – 3:30 pm – This is our first FREE major program in the month of March (part of our Early Music Month program) dedicated to the wide spectrum of emotions featured in works written for viol consort and voice and viol by prominent English composers. Repertoire will focus on 3-4 part viol consort, occasionally featuring other variations in the […]

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Marianne Mozart at the CMA

Concerts

March 22, 2026 @ 3:00 pm – 4:15 pm – Marianne Mozart (known as Nannerl) was an acclaimed keyboard player and composer who shared the spotlight with her younger brother through her teenage years. But as time went on, only one of them would be free to make a career in music. Stellar violinist Shelby Yamin and keyboard virtuoso Mark Edwards from Les Délices present […]

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The Light of Monteverdi: Vespro della Beata Vergine, SV 206 (1610)

Concerts

March 22, 2026 @ 4:00 pm – 7:00 pm – Among the most celebrated works in Western musical history, Vespro della Beata Vergine (1610) was dedicated to Pope Paul V at a moment when Claudio Monteverdi was aiming to make a quantum leap in his career prospects. After 20 years in the service of the illustrious Duke of Mantua, Monteverdi’s Marian vespers was published only three years […]

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Early Music Missouri presents “O Let Me Weep: The Baroque Lament”

Concerts

March 23, 2026 @ 12:00 pm – 1:00 pm – Early Music Missouri presents a seasonal program of 17th-century sacred and secular laments for voice, Baroque violin and lutes. The program ranges from England and Germany to Italy. Early 17th-century music includes one of only three works composed by Englishman John Dowland for voice, violin and lute as well as Girolamo Frescobaldi’s moving “Maddalena alla cruce” (“Magdalene […]

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