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Boston Early Music Festival presents The Tallis Scholars

The Tallis Scholars are back in Greater Boston with music for the Virgin Mary from the English Renaissance on Friday, December 5 ARTISTS: The Tallis Scholars Peter Phillips, Director LOCATION: Friday, December 5, 2025 at 8pm ET St. Paul Church, Cambridge, MA Virtual Premiere: Saturday, December 13, 2025 at 8pm ET Available until Saturday, December 27, […]

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Cambridge Society for Early Music seeks Spring/Summer ’26 interns

The Cambridge Society for Early Music P.O. Box 380-336 Cambridge, MA 02238-0336 The Cambridge Society for Early Music seeks interns for Spring/Summer ‘26 Cambridge Society for Early Music offers arts administration internships for college and masters students during the fall, spring, and summer. Our internships are intended to provide students with a well-balanced, educational experience

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Fellowship Applications Open for The Sociable Fortepiano (by Dec 31)

The Sociable Fortepiano (March 5–9, 2026, New York City) is a new artist residency, workshop, and mini-festival reimagining fortepiano musicking as a space of connection and experimentation. Funded by the Westfield Center for Historical Keyboard Studies and curated by Yi-heng Yang (Juilliard) and Patricia García Gil (Cornell CCHK), the initiative invites performers, scholars, and technicians—including

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Alkemie presents Saltwinds & Spices

A restless collective of medieval experimentalists, the Flatbush-based band Alkemie recently gained recognition beyond Brooklyn with their soundtrack for the video game Pentiment (directed by Obsidian studios and published by Xbox). Locally and nationally, they have been presented by the Amherst Early Music Festival, Arizona Early Music Society, Brooklyn Public Library, Cambridge Society for Early

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Early Music Needs Its Specialists

From the Publications Director: ‘There’s an old joke about the social sciences where the exam questions are the same year after year but it’s the correct answers that change. The early-music field isn’t so different, where there’s a fundamental ambition — how did it sound when it was new? — but the ways in which that’s presented, and how it comes across for the listener, seem to change with each generation.’

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