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Musicians of the Old Post Road presents: Blazing Italian Baroque

For 35 years, the Musicians of the Old Post Road ensemble has delighted in their mission of uncovering, exploring, and performing the works of historically overlooked communities and individuals. Based in the Greater Boston area, the ensemble specializes in the period instrument performance of dynamic and diverse music from the Baroque to early Romantic eras,

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A Teenage Mystic, a Revelation from God, and Bossy Parents: the Academy of Sacred Drama Revives a Lost Oratorio

Biblical oratorios by Handel and Bach are cornerstones of a vast repertoire filled with forgotten treasures. New York’s Academy of Sacred Drama is reviving these often-gorgeous obscurities, one show at a time. Led by violinist Jeremy Rhizor, their latest discovery is ‘Santa Maria Maddalena de’ Pazzi,’ with performances this week. ‘The oratorios exist as literary narratives as well as stories of Biblical histories and lessons.’

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American Classical Orchestra Performs Bach’s B Minor Mass on Mar. 7

AMERICAN CLASSICAL ORCHESTRA PERFORMS BACH’S B MINOR MASSvAT ALICE TULLY HALL WITH THE ACO CHORUS MARCH 7, 2024 Soloists are Sopranos Kristen Hahn and Nola Richardson, Countertenor Reginald Mobley, Tenor Steven Soph, and Bass Steven Eddy Founder and Artistic Director Thomas Crawford leads the American Classical Orchestra (ACO) in a performance of Bach’s monumental B

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The Da Camera Society Spring Season

LA’s premier Chamber Music series, The Da Camera Society which presents internationally acclaimed artists in sites of architectural, historical, and cultural significance, will feature spring concerts throughout the Southland including the Pasadena Conservatory of Music, Villa del Sol d’Oro, St. Paul’s Lutheran Church, Chamber Music | OC, and the Doheny Mansion: February 11 at 2

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Showcasing The Fooles from EMA’s Boston Summit

You can now watch EMA’s extraordinary 2023 Emerging Artists Showcase, with three headliners. To introduce their performance, a member of The Fooles here offers insights into new postures and techniques required of this 17th-c. repertoire. And period-instrument ensembles everywhere should take note of their brilliant tuning regimen, where tuning fickle instruments isn’t a disruption but an engaging part of the show.

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