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Proposals due Dec 31: The Sociable Fortepiano

CALL FOR PROPOSALS — FELLOWSHIP APPLICATIONS OPEN FOR The Sociable Fortepiano: A New Space for Redefining Fortepiano Musicking and Practice March 5–9, 2026 – New York City Open to scholars, keyboard technicians, and performers, including singers and instrumentalists (strings and winds) collaborating with early keyboardists. Organized and curated by: Yi-heng Yang, Faculty, The Juilliard School — pianist, […]

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Pied Piper of the Southeast

EMAg Features, News

As a teacher, administrator, director, and advocate, Jody Miller makes everything in a class or workshop run smoothly. For early music, he says, ‘we expect concertizing is the way we’re going to reach everybody. I want us to think of solutions that work for the type of music we’re dealing with.’

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Forgotten Treasures from Quodlibet Winds

EMA Recording Reviews, News

Trésors Oubliés, the debut album from New York’s period-instrument Quodlibet Winds, is devoted to music from early 19th-century Paris. The ensemble makes a stellar case for this repertoire. While strict in form, ‘there’s a sense of freedom and spontaneity that invites listeners inside the music.’

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El Mesías: Messiah for a New World

EMAg Features, News

Bach Collegium San Diego, led by Ruben Valenzuela, finds acclaim for their ‘El Mesías’ project, a translation of ‘Messiah’ into Spanish. And why not? Handel himself altered his music to adapt to new contexts and audiences.

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Musicians of the Old Post Road presents Christmas in the Bach Workshop

Community News

For Immediate ReleaseNovember 14, 2025 PRESS CONTACTJoanna Boyle, General ManagerMusicians of the Old Post Road781.466.6694musicians@oldpostroad.org PHOTOShttps://oldpostroad.org/press-room MUSICIANS OF THE OLD POST ROAD Presents Christmas in the Bach Workshop Saturday, December 13, 2025, 4:00 pmFirst Unitarian Church, Worcester, MA and live-streamed at www.oldpostroad.org Sunday, December 14, 2025, 4:00 pmOld South Church, Boston, MA In-person Audience

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Drumming to Parts Unknown

EMAg Features

Percussionist Rex Benincasa writes about adding sounds and spices to music where there’s little or no historical guidance, from the European high Baroque to Mediterranean North Africa and the court of the Tang Dynasty. Much of what he plays was never written down.

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Fellowship Applications Open for The Sociable Fortepiano (by Dec 31)

Community News

The Sociable Fortepiano (March 5–9, 2026, New York City) is a new artist residency, workshop, and mini-festival reimagining fortepiano musicking as a space of connection and experimentation. Funded by the Westfield Center for Historical Keyboard Studies and curated by Yi-heng Yang (Juilliard) and Patricia García Gil (Cornell CCHK), the initiative invites performers, scholars, and technicians—including

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Baroque Violinist Wins Barbash Bach Competition

EMA Features, News

Baroque violinist Danqi Zeng, born in China and currently a doctoral student at Indiana Univ., won the 2025 Barbash J.S. Bach Competition. The prize includes $10,000 and at least five concert engagements in the coming seasons. ‘Zeng’s Bach spoke profoundly,’ remarked one juror, ‘and with an immediacy made more palpable by the unforced resonance of her Baroque instrument.’

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Getting Kids Hooked

EMAg Features, News

Seattle’s SHAK, Chicago’s Stevenson High School, and a new start-up, Lute4Kids in upstate New York, are among the few U.S. early-music programs devoted to hands-on, pre-collegiate education. It’s a pipeline the field must nurture if it’s to thrive.

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Celebrating the ‘Founding Parent’ of Folk Studies in America

EMA Features, News

Pioneering American folklorist Francis James Child, born 200 years ago, will be celebrated this week for his lasting cultural influence, especially for his collection known as the Child Ballads. Today, folk revivals ‘find an essence of identity against the commodification of culture,’ protesting how ‘everything can be sold.’

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