by REMA: RÉSEAU EUROPÉEN DE MUSIQUE ANCIENNE Published November 18, 2024
The lingering effects of the Covid-19 pandemic, the upheaval of global conflict, rising pressure on artists and the arts, the urgency of climate change, the rapid digital transformation and inflation have all left their mark on our activities. To support this changing landscape, REMA is inviting all early-music professionals to contribute to a series of short thematic surveys. These surveys covers key areas such as digital practices, diversity, audience engagement, funding, and sustainability. A special survey targeting promoters and ensembles focuses on the dynamics of concert programming.
Anyone involved in the early music sector, REMA members or not, is welcome to participate. Take the survey.
A new period-instrument ensemble, Chicago's Bach in the City, opens its inaugural season next week. Artistic leaders Richard Webster and Jason Moy, veterans of the Chicago classical scene, have secured dedicated funding to give the group staying power. 'Suddenly, now, we have a critical mass of period-instrument players attracted to Chicago, and that was not true a decade ago.'
Gathering for an English country dance is like taking a walk through the history of social dance and music, much of it based on Playford's 'The English Dancing Master.' Always a popular and fun night out, the art form today attracts a broad range of participants and is sometimes backed by an early-music band.
Norwegian conductor Grete Pedersen is in demand everywhere just now. A finalist for the Bay Area's Philharmonia Baroque Orchestra, she'll become principal conductor of the Yale Schola Cantorum starting in 2026 and has been at the helm of the idyllic Carmel Bach Festival for the past three seasons. In a conversation along Carmel Beach, she talked about her organic approaches to early music.
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