L’Academie at Dana Farber Cancer Institute: An Interview with Leslie Kwan

by
Published April 2, 2015

April 2, 2015

EMA Marketing and Public Relations Manager, Brandon Labadie, caught up with Leslie Kwan over the phone last February to discuss her work with her ensemble, L’Academie, in the Boston hospital system. Since 2009, L’academie has been presenting French Baroque music to the patients of Dana Faber Cancer Institute and has recently financial support for their outreach programs from the Boston Symphony Orchestra. Leslie gives EMA the story behind L’academie’s beginnings, how she feels the group’s music making has made an impact, and what other projects might be on the horizon.

 

[button link=”https://www.earlymusicamerica.org/wp-content/uploads/2015/04/leslie_kwan.mp3″ color=”red”]Please click here if the audio doesn’t load automatically[/button]

Recent EMA Features

When the Music Fades: REMA’s 2025 Early Music Survey

Published:
In its annual survey of the field, REMA-European Early Music Network received alarming input from its members on funding cuts. The impact will be felt across the sector, even as many European organizations rely heavily on public subsidies. It may mean 'fewer concerts, safer and less diverse programming, less work for independent musicians, and more pressure on organizations that were already trying to hang on.'
Read More When the Music Fades: REMA’s 2025 Early Music Survey

When Good Music Happens to Really Bad People

Published:
Last week, on Friday the 13th, New York's Music Before 1800 hosted the U.S. premiere of 'Death of Gesualdo,' a ghostly retelling of the Renaissance composer's life and grisly crimes, set to his avant-garde music. Performed by puppets, actors, and the British vocal ensemble the Gesualdo Six, the show is the latest from Bill Barclay, whose 'Secret Byrd' was a revelation for putting ancient music in a profoundly living context.
Read More When Good Music Happens to Really Bad People

More News & Reviews

Scroll to Top