The French vocal and instrumetal ensemble Les Kapsber’girls take their punning name from Hieronymus Kapsberger, but on their third album this exquisite group branches out to present an array of vocal works by Italian women composers from all walks of life and levels of fame.
Flying Among the Blessed Choirs with Les Kapsber’girls Read More »
The Amherst Early Music Festival’s Baroque Opera Project this summer focused on a rarity, Georg Reutter’s ‘Dafne.’ Students and early-career singers and instrumentalists brought this ancient #metoo tale to life.
At Amherst Early Music, Students Revived Reutter’s Dafne Read More »
Blue Hill Bach, a festival in the idyllic harbor town in Maine, celebrates its 15th season this summer, with performances July 15-19. They play each concert in a different often surprising location, like a shipyard. With booming arts tourism and new festival leadership, the Blue Hill Bach is ready for the next step.
Lobster, Coastal Maine, and Blue Hill Bach Read More »
Polish harpsichordist Maria Banaszkiewicz-Bryla makes a strong case for the suites of Flemish-born Jean Baptiste Loeillet, often known as Loeillet of London. The playing is imaginative, exceptionally lyrical, and technically impeccable.
Harpsichord Suites from the London Loeillet Read More »
At the Boston Early Music Festival’s Fringe Concerts, one show in particular caught the ear of Tina Chancey. The bowed-strings player shares her connections with Rumbarrocco’s program. The ‘intersection of cultures gave the group an excitement and intensity that was refreshing to watch and hear.’
Concert Commentary: Rumbarrocco at BEMF Fringe Read More »
