Polish harpsichordist Maria Banaszkiewicz-Bryla makes a strong case for the suites of Flemish-born Jean Baptiste Loeillet, often known as Loeillet of London. The playing is imaginative, exceptionally lyrical, and technically impeccable.
Harpsichord Suites from the London Loeillet Read More »
At the Boston Early Music Festival’s Fringe Concerts, one show in particular caught the ear of Tina Chancey. The bowed-strings player shares her connections with Rumbarrocco’s program. The ‘intersection of cultures gave the group an excitement and intensity that was refreshing to watch and hear.’
Concert Commentary: Rumbarrocco at BEMF Fringe Read More »
New York Polyphony and LeStrange Viols, two ensembles prized for their early-music performances, here connect contemporary composers with Renaissance masters, a pairing at once mysterious and familiar.
Sky of my Heart: New Sounds for Old Instruments Read More »
A new book asks ‘whose music matters?’ and critiques the conventional music history curriculum, including well-meaning but hollow additions for the mere sake of inclusion. Even traditional subjects like early music, the author writes, ‘can be taught in diverse, ethical ways.’
On Teaching Inclusive Music History Read More »
The Brabant Ensemble, known for exploring lesser known choral works from the 16th century, has released another strong album with some familiar names and several that come as a revelation, with Sebastian Ertel’s stunning ‘Aeterno laudanda choro’ among them.
The Imagined Life Journey of a Monk, in Music Read More »
