Approachable and comprehensive, “The Cambridge Companion to the Harpsichord,” edited by Mark Kroll, teaches us about the harpsichord’s history and construction, role in chamber ensembles, tuning and temperament, and repertoire from nearly every national school.
Book Review: Hailing The Harpsichord Read More »
The Milwaukee, WI-based vocal ensemble will perform as part of the Early Music America’s Emerging Artists Showcase, May 23 & 24, 2019, during the Bloomington Early Music Festival.
2019 Emerging Artists Showcase: Aperi Animam Read More »
This video focuses on a fascinating source from 1562: Giovanni Camillo Maffei, a Napolitan doctor, philosopher, and a musician, was asked by his patron to explain to him how the human voice works, as well as how can one learn to sing diminutions without a teacher.
With all the Baroque music that we teach beginning violinists, doesn’t it make sense to teach them something about Baroque performance practice?
Rachel Barton Pine: Young Students Thrive in Early Music and Baroque Ensembles Read More »
The Brandenburg Project (representing the Community School of Ann Arbor) will perform as part of EMA’s Young Performers Festival, May 22-24, 2019, during the Bloomington Early Music Festival.
2019 Young Performers Festival: The Brandenburg Project Read More »
