CD Review: Infusion Honors Kreüsser
A beguiling new album by the Montreal-based ensemble Infusion Baroque focuses on works by the German composer Georg Anton Kreüsser (1746-1810).
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Book Review: Probing Medieval Motets
The goal of “A Critical Companion to Medieval Motets” is to define the motet genre as pluralistic and multifaceted in style, giving space to both French- and English-language motets.
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Rhys Webb: “Powerful Morpheus, Let They Charms”
“I love this! It gets some of the textual drama I’m looking for, and I’m always amazed by Lucille’s colors and shapes. That moment on “Wish it were..” is one of my favorite things!” Martin Bernstein Professional Recorder Player Emerging Professional Leadership Council Member See the full EMM Musical Calendar
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Juan Gutierrez de Padilla: “Al retablo más dichoso”
A villancico that underlines diversity and brilliantly gives us access to popular music from 1650s. Benjamín Juárez Professor, Boston University EMA Board Member See the full EMM Musical Calendar
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Anonymous 13thc.: “L’on dit q’amors est dolce chose”
There is something so captivating about Anne Azema performing trobairitz and trouvères poetry. The necessity of story telling in performance is one of my favorite things about studying vocal music, and early music especially. I return to this recording often for inspiration – it’s one that always makes me slow down and re-center during the
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