The Bay Area’s Cantata Collective continue its acclaimed Bach series with his greatest large-scale work, the B-minor Mass. Beautifully paced by Nicholas McGegan, this ‘live’ recording features outstanding vocal and instrumental soloists. At its best, the chorus ‘shines in their expressive use of color and shading,’ thanks to McGegan’s ‘careful balancing and phrasing.’
Cantata Collective’s B-minor Mass Read More »
Dorothea Link’s book, ‘The Italian Opera Singer in Mozart’s Vienna’ proves to be entertaining and eye-opening, providing a valuable insights into the Viennese opera milieu.
Inside the Italians Singing in Mozart’s Vienna Read More »
Julia Dokter is a musicologist and organist who ‘messes around’ with art. In a personal essay, she walks us through several of her re-imagined Medieval illuminations. Hand-drawing and painting these images, she writes, ‘allows me to learn different things about [early music] than I would by researching and analyzing them in the usual academic ways.’
Dragons! Gold! Medieval Art and its Music Read More »
The well-trodden ground under Josquin interpretations may be shifting thanks to Jesse Rodin and his Cut Circle ensemble. They rethink key approaches to this repertoire, from tempo and vocal timbre to the choice of acoustic — with often startling results.
Cut Circle’s Josquin, Dramatic and Revelatory Read More »
For most of us, the early-music repertoire is so great it needs no special pleading — even as attendance numbers might suggest otherwise. So what works in early-music programming? Who’s been successful at audience engagement, and how do presenters select their historical performance projects?
The Peculiar Programming of Early Music Read More »
