For most of us, the early-music repertoire is so great it needs no special pleading — even as attendance numbers might suggest otherwise. So what works in early-music programming? Who’s been successful at audience engagement, and how do presenters select their historical performance projects?
The Peculiar Programming of Early Music Read More »
Montreal’s Infusion Baroque joyously blurs the lines between Western ‘early music’ and ‘world music’ in their latest album, East is East. The ensemble’s core musicians, plus an array of distinguished guests, make East and West sound refreshing and new.
Avoiding the Trap of Musical Exoticism Read More »
Basso continuo usually takes an accompanying role, but Montréal’s Space Time Continuo puts the bottom on top and into the fore. The ensemble adapts Italian lyricism for versatile lower-voiced instruments, depicting heaven and earth and all the emotional states in between.
All About That Bass: Continuo on Top Read More »
Facing budget cuts and with shifting educational priorities, the College of Music at the University of North Texas, in Denton, plans to eliminate its harpsichord lecturer position and hire a professor of organ and harpsichord.
Texas Uproar Over Harpsichord Education Read More »
On March 8, the violin of Alan Choo, concertmaster and assistant artistic director of Apollo’s Fire, was stolen. Choo and his friends and colleagues have been sharing his “Cash Reward: $2,500” poster on social media—including a “no questions asked” plea for the return of the instrument.
Stolen Baroque Violin, Cash Reward Read More »
