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Published March 7, 2016
Click to read the Spring 2016 Issue (must be logged in to view content). On The Cover: “A recent press trip to Israel piqued my interest in that fascinating country’s early-music scene. Israel is at once ancient and new, like so much of what we are trying to do in our field, and I was curious about the history of the early-music revival, the active and retired performers and teachers, and the challenges facing musicians and presenters today.” -Judith Malafronte
Recent EMA Features
When the Music Fades: REMA’s 2025 Early Music Survey
In its annual survey of the field, REMA-European Early Music Network received alarming input from its members on funding cuts. The impact will be felt across the sector, even as many European organizations rely heavily on public subsidies. It may mean 'fewer concerts, safer and less diverse programming, less work for independent musicians, and more pressure on organizations that were already trying to hang on.'
A Half-Century of the York Early Music Festival
Hailed as the top of its field, the York Early Music Festival celebrates a milestone anniversary in 2026 with a deluxe calendar of celebrated and emerging artists. Across its 50 years, they've made 'important scholarship come to life through vibrant and sometimes bewildering performances.’
When Good Music Happens to Really Bad People
Last week, on Friday the 13th, New York's Music Before 1800 hosted the U.S. premiere of 'Death of Gesualdo,' a ghostly retelling of the Renaissance composer's life and grisly crimes, set to his avant-garde music. Performed by puppets, actors, and the British vocal ensemble the Gesualdo Six, the show is the latest from Bill Barclay, whose 'Secret Byrd' was a revelation for putting ancient music in a profoundly living context.
