EMA Recording & Book Reviews

In a splendid new recording, soprano Hannah De Priest and period-instrument ensemble Les Délices offer pastoral dreams of Arcadia in cantatas and instrumental works by Rameau, Handel, Louis Lefebvre and others.

Lost until 2015, Telemann's set of 12 Fantasies for viola da gamba were composed in the mid-1730s, about the time he published his often-heard fantasies for flute and for violin. Now Polish viola player Michał Bryła has smartly transcribed and brilliantly recorded the gamba fantasies. For Baroque violists looking for new solo repertoire, this is a rather stunning find.

Saint Francis of Assisi preached against the Crusades and, venturing to Egypt to stop the fighting, met with Sultan Malik al-Kamil. This cross-cultural dialogue inspired the ensembles Constantinople and Holland Baroque for a deeply satisfying album that weaves together musical traditions from east and west.

An early 16th-c. illuminated manuscript of English sacred music, known as the Arundel (or Lambeth) Choirbook, contains polyphony by known composers and the equally skilled Anonymous. A compelling new album offers seven world premieres by these mysterious creators.

Fiddle and banjo music played by free and enslaved Blacks before the 1860s is a key element of American musical and cultural history. But the evidence is scant. In 'Go Back and Fetch It,' authors Kristina R. Gaddy and Rhiannon Giddens explore more than three centuries of songs in this landmark new book.

The oldest known opera by a Black American composer, Edmond Dédé's 1887 'Morgiane,' had its world premiere last spring and now has its debut recording. Rich string writing, a variety of obbligato parts, and snappy dance rhythms point to a composer with an ear for traditions both formal (French grand opera) and folk (his New Orleans upbringing).

Amanda Forsythe is the star of this Telemann recording with the Boston Early Music Festival Orchestra. In a favorite cantata and showy opera arias, the soprano and ensemble deliver fiery intensity and emotional depth. And it's a 2026 Grammy winner for Best Classical Solo Album.

Historical performance often reveals fresh sounds in big symphonic music. The Philharmonie Austin's Tchaikovsky's Fifth Symphony and 'Romeo & Juliet' showcases a thrilling Texas ensemble, while the European group Les Siècles, in Mahler's 'The Song of the Earth,' goes back to the composer's soundworld.

Jean Rondeau’s 10-CD compilation of all the known works of Louis Couperin is a cornucopia of delights. His harpsichord playing is off-the-charts terrific, as are the performances of his instrumental collaborators and vocalists. This highly persuasive box set is a must-have for aficionados of French keyboard repertoire.

Despite Bach's overwhelming presence in our musical lives, a lot of influential scholarship remains inaccessible to a broader public because it is in German. A recent book (and searchable website) has bridged this gap with translations of over 50 lectures by prominent Bach expert Hans-Joachim Schulze. Loaded with the latest in-depth scholarship, the talks are nevertheless aimed toward the amateur listener.