Reviews by the editorial staff of Early Music America. Have a new recording or book? Submit it for consideration.
Locatelli Rarities from Fabio Biondi and Europa Galante
A new recording of two under-performed works by Pietro Antonio Locatelli — his A Major Violin Concerto and six so-called 'Introduttioni teatrali' of unknown background and function — shows a masterful and highly satisfying synthesis of various Baroque forms. The ensemble and solo violin charms and sparkles.
J.H. Roman’s Inventive, Beguiling ‘Assaggi’
Swedish composer Johann Helmich Roman coined the term 'Assaggi' for his solo violin works, first published in 1740. Inventive and often lacking tempo markings, these brilliant pieces invite an improvisatory approach. Canadian American violinist Alison Luthmers' new recording delivers beautifully, with a rich variety of tone.
Musical Modernity in Enlightenment Spain
This new study broadens our understanding of the Enlightenment in Spain. Author Sánchez-Rojo builds a case for the modernization occurring in 18th-century Spain and explores the very notion of modernity, including the boom of the Spanish periodical press in the 1780s and a captivating treatment of music and medicine focused on the tarantella.
Flying Among the Blessed Choirs with Les Kapsber’girls
The French vocal and instrumental ensemble Les Kapsber’girls take their punning name from Hieronymus Kapsberger, but on their third album this exquisite group branches out to present an array of vocal works by Italian women composers from all walks of life and levels of fame.
Harpsichord Suites from the London Loeillet
Polish harpsichordist Maria Banaszkiewicz-Bryla makes a strong case for the suites of Flemish-born Jean Baptiste Loeillet, often known as Loeillet of London. The playing is imaginative, exceptionally lyrical, and technically impeccable.
Sky of my Heart: New Sounds for Old Instruments
New York Polyphony and LeStrange Viols, two ensembles prized for their early-music performances, here connect contemporary composers with Renaissance masters, a pairing at once mysterious and familiar.
On Teaching Inclusive Music History
A new book asks 'whose music matters?' and critiques the conventional music history curriculum, including well-meaning but hollow additions for the mere sake of inclusion. Even traditional subjects like early music, the author writes, 'can be taught in diverse, ethical ways.'
The Imagined Life Journey of a Monk, in Music
The Brabant Ensemble, known for exploring lesser known choral works from the 16th century, has released another strong album with some familiar names and several that come as a revelation, with Sebastian Ertel’s stunning 'Aeterno laudanda choro' among them.
Teaching Through Delight: the Villancicos of Bogotá
In colonial New Spain, villancios were a poetic and musical tool for religious instruction and conversion. Across the centuries, the form was shaped to appeal to a broad audience, as fun music for Christmas. Colombian ensemble Música Ficta's latest release is a musical and scholarly delight.
Love and Jealousy from the Spanish Baroque
The world premiere recording of 'Venus y Adonis' by José de Nebra, shows the composer as one of the great masters of the Spanish Baroque. He blends the Italianate opera styles prevalent in his day with the seguidilla, the fandango, and, at his best, a rare melodic gift.
