EMA Recording & Book Reviews

This reassessment of musical culture — particularly religious music — in 15th-c. Bohemia tries to look beyond the nationalist agendas that have previously colored scholarly work on this topic. As a rare holdout for monophonic chant and an area undergoing theological reform in the late Middle Ages, the region provides rich topics for this collection of essays written through an updated lens.

A fascinating new book aims to understand the “inventive” musical forgery: not a counterfeit, per se, but a newly created composition that is falsely attributed to someone else. The author investigates not only why forgers may be attracted to such deceptions but, as authentication has shifted from stylistic concerns to source documentation, why we are repulsed when the truth is revealed.

The co-editors of this book of essays, Anna Maria Busse Berger and Henry Spiller, have collected a multitude of narratives addressing how outsiders transformed the fabric of Indonesian musical history. Notably, Busse Berger has spent most of her career working in early-music scholarship; she now exemplifies the trend toward expanding the definition of early music to a global scale.

In 18th- and 19th-century Europe (and colonial culture in the Americas), dancing was used to make social connections and impress members of one's class. 'Dance and Sociability' offers detailed descriptions of the social context for European dance among the upper classes during this period, including a thought-provoking article on how to define “grace.”

As historically informed musicians know, a performance conveys much more than just the notes on a page. 'Performing by the Book,' a recent collection of essays, covers an enormous temporal range — not exhaustive, of course, but by moving from the 15th century to the 21st it yields interesting comparisons.

In a new book every medievalist will need, 'Early Medieval Wind Instruments,' author Lucy-Anne Taylor uses available evidence to build horns and trumpets, bagpipes and hornpipes, bone pipes, panpipes, and an organ. Anything that helps us understand what Medieval music really sounded like is useful information.

A rewarding new biography on Henry Purcell brings the composer's life and times into one slender volume. At the book's center is an up-to-date dictionary — accessible to non-specialists — that mentions well-known collaborators and a range of musicians, political events, performance practices, relevant musical terms, and more.

Fiddle and banjo music played by free and enslaved Blacks before the 1860s is a key element of American musical and cultural history. But the evidence is scant. In 'Go Back and Fetch It,' authors Kristina R. Gaddy and Rhiannon Giddens explore more than three centuries of songs in this landmark new book.

Despite Bach's overwhelming presence in our musical lives, a lot of influential scholarship remains inaccessible to a broader public because it is in German. A recent book (and searchable website) has bridged this gap with translations of over 50 lectures by prominent Bach expert Hans-Joachim Schulze. Loaded with the latest in-depth scholarship, the talks are nevertheless aimed toward the amateur listener.

In recent years, there's been so much new information on J.S. Bach's six cello suites that it can be hard to keep up. A new book is not only the newest (and therefore the most up-to-date) entry in the long catalog of Bach suite studies, it is also outstandingly comprehensive in scope.