As a teacher, administrator, director, and advocate, Jody Miller makes everything in a class or workshop run smoothly. For early music, he says, ‘we expect concertizing is the way we’re going to reach everybody. I want us to think of solutions that work for the type of music we’re dealing with.’

Trésors Oubliés, the debut album from New York’s period-instrument Quodlibet Winds, is devoted to music from early 19th-century Paris. The ensemble makes a stellar case for this repertoire. While strict in form, ‘there’s a sense of freedom and spontaneity that invites listeners inside the music.’

Bach Collegium San Diego, led by Ruben Valenzuela, finds acclaim for their ‘El Mesías’ project, a translation of ‘Messiah’ into Spanish. And why not? Handel himself altered his music to adapt to new contexts and audiences.

Concordian Dawn’s ‘Caroles by Candel-lēoht’ service, a Christmastime tradition, is the inspiration for the Medieval ensemble’s latest album. The music comes from English, Hebrew, Latin, and Sephardic traditions in an often fraught search for ‘redemption and salvation.’