by EMA Staff
Published December 18, 2023
As 2023 comes to a close, check out EMA’s 10 most popular features and reviews from the world of early music. For more news, profiles, and ideas, subscribe to EMA’s weekly E-Notes newsletter.
#10
Canto: Toward a Rebirth of Renaissance Choral Repertoire
Why is Renaissance choral music mostly absent in U.S. schools? From an emphasis on living composers and ‘vertical’ harmonies to choral directors themselves unfamiliar with the repertoire, there’s a lot to discuss.
A choir director asks the questions and offers possible solutions.
#9
21st Century Baroque
Meet Nuova Pratica, a stylish ensemble with a progressive-retro attitude. They reject the notion that everything’s already been said in the Baroque language. By re-opening the book on Baroque composition, their new works are at turns fresh, varied, and imaginative.
#8
250 Years Ago, a Black Composer Etched Anti-Racism into his Music
Likely born into slavery, working as a butler and shopkeeper, Ignatius Sancho became an accomplished writer and composer. Embedded in his published music, the author argues, are anti-racist ideals that rejected British cultural norms.
#7
The 10 Hosting Commandments
With the season in full swing and the holidays fast approaching, it’s a good time to revisit one of the most-read EMA stories of 2023. First published in January, it’s a top-10 list of “home stay” dos and don’ts. An early-music host shares his tips for making a home stay easy and low-stress for everyone. Share it with anyone who invites musicians into their house…and traveling musicians will be grateful.
#6
Hearing New Sounds from Very Old Instruments
There’s much to learn about period instrument via the sounds they’re capable of making. Composers today are exploring the edges of historical performance practice in fresh and unexpected ways.
#5
A Mystery Instrument of Old New England
It was hidden for more than a century in the basement of an old house. The instrument’s discovery offers important hints about a forgotten history of New England ensemble string playing.
#4
Period Instruments? Yes. Period Costumes? Uh…
Are clothes of the period part of a historically accurate performance? Opinions vary about what constitutes an acceptable period outfit, but advocates of historical attire in early music have one thing in common: They believe the costume helps enrich the music’s context.
#3
Early Music Rocks the Video Game Universe
Video games generate more revenue than the movie industry, and many games are set in ‘legendary times’ that cry out for an early music soundtrack. As technology improves, many games employ early music not just as background but as element of play.
#2
The Unmistakable Sound of Thomas Dunford
The French-American lutenist is on an unstoppable rise to the top of the international early-music scene.
#1
CANTO: Let’s Talk About the English Choral Tradition
“Historically, the shorthand way of achieving an ‘English sound’ has been to ask singers to ‘straighten that out,’ which can often lead to physical tension, fatigue, burn out, and resentment. The word ‘straight’ has been so overused and developed such a reputation that it fills many singers with indignation…”
Recent EMA Features
Boston Early Music Festival Names New Dance Director
In appointing Marie-Nathalie Lacoursière to lead its prestigious dance activities, BEMF has picked a multidisciplinary choreographer, dancer, actor, and musician. She has been 'an invaluable collaborator for many years and is at the top of her field.'
Getting Creative: a New Bach Passion & Vivaldi ‘Seasons’ Opera
Creative artists in early music are hoping to attract new fans by offering more than old music in predictable formations. By design, they break from the status quo, with soap-bubble sets for Vivaldi and Bach in spoken English. Historically informed? 'It’s historically inspired, which is maybe more important.'
Fantasy Camp for Early Music Superfans
Across North America, ensembles are connecting with audiences not just as passive-listening concert-goers but as participants in making music. Give a performance of Renaissance polyphony, but also teach local amateurs how to sing it themselves. 'They will hear it as never before — from within the ensemble.'
