Pianist David Lively and the Quatuor Cambini-Paris, joined by contrebassist Thomas de Pierrefeu, offer a compelling view of these two works on this recording by returning to their roots as salon music.
CD Review: Chopin’s Piano Concertos As Chamber Music Read More »
“Ein feste Burg ist unser Gott,” a hymn virtually synonymous with Lutheranism, opens BWV 80 and exemplifies the reverent yet uniquely moving aesthetic of this recording by Montréal Baroque under Eric Milnes.
CD Review: Bach’s Luther Cantatas Inspirited Read More »
From the May 2019 issue of EMAg The important thing about early music is that humans do it. It is true that it is beautiful and can soothe the soul, ravish the senses, engage the intellect, and arouse the passions. But the important thing about early music is that humans do it.” —Margaret Wise Brown,
Canto: Gifts of Healing Read More »
Harpsichordist Joyce Chen will perform as part of Early Music America’s Emerging Artists Showcase during the Bloomington Early Music Festival.
2019 Emerging Artists Showcase: Joyce Chen Read More »
Over and over, we debate whether and how art from the distant past is relevant, yet the issue isn’t the old work at all. It’s how we interact with it today.
Two opera companies animate a 17th-century work to confront #MeToo head-on Read More »
