Adam Gilbert asked me to join the university’s Baroque Sinfonia for an upcoming concert. I had never played baroque oboe before, but decided to give it a try and totally fell in love with it.
Center Stage, November 2016: Lot Demeyer Read More »
Drawn from the Gaveau-Érard-Pleyel Archives now maintained by the AXA Insurance Group in France, this beautifully produced two-volume set about the history of the Érard piano and harp represents a rich lode of information not only for those interested in these instruments, but also for all who want to learn about the role of music within the context of European culture of the last two centuries.
Sumptuous Volumes Celebrate Erard Instruments Read More »
Over the last decade, New York Polyphony has developed a world-class reputation for stellar musicianship and programming dedicated to both early and contemporary music. On their sixth album, Roma Æterna, the singers — countertenor Geoffrey Williams, tenor Steven Caldicott Wilson, baritone Christopher Dylan Herbert, and bass Craig Phillips — break with their own tradition and return to the past, focusing for the first time exclusively on early music.
New York Polyphony Travels To Eternal Rome Read More »
These are vibrant interpretations with a full-blooded orchestral texture and plenty of forward motion, and the solos are characterized by the artist’s customary imagination in phrasing. The engineering presents a well-delineated sound stage throughout, and careful miking picks up the pianist’s playing-along in opening tuttis, a nice combination of intimacy and grandeur.
Bezuidenhout Continues Mozart Series Read More »
We’ve kept our ensemble going for 25 years, and in order to do this have had to learn how to get along with each other in what can sometimes be trying situations.
Center Stage, October 2016: Musica Pacifica Read More »
