Jan Caeyers’ expertise with both the social history of the composer’s world and the music of the period makes this an important addition to the Beethoven literature. Told with almost operatic drama, the book tells us much that we did not know, adding to our understanding and appreciation of this pivotal figure in musical history.
With this new publication of François Couperin’s celebrated ‘Pièces de clavecin’ (Book III) together with his ‘Concerts royaux,’ we now have a chance to compare the keyboard composer with the chamber musician in a single volume. The introduction alone is invaluable scholarship on this period of the composer’s life and world.
A champion of under-performed 18-century treasures for cello, Elinor Frey’s latest recording is high in virtuosity and appeal. As the cover suggests, she has two instruments at her disposal: one a standard Strad-model cello, the other a 3/4 size cello that allows several of the works to really sing.