Les Délices welcomes new Executive Director: Laura Potta
Cleveland-based early music ensemble Les Délices is thrilled to welcome Laura Potter as its new Executive Director, effective January 1st, 2023.
Cleveland-based early music ensemble Les Délices is thrilled to welcome Laura Potter as its new Executive Director, effective January 1st, 2023.
Lillian Gordis has garnered high praise for her imaginative and substantive performances and recordings. In a wide-ranging discussion, Gordis and Ramsay talk about her precocious drive to make music on the harpsichord.
Described as a “pardo” — of mixed race — Vicente Lusitano might be the first published composer of African descent. This new recording shows a composer of high imagination and style, with a daring approach to chromaticism.
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Meet Peter Lim. In concert, he effortlessly switches between different families of instruments, from the harpsichord to Baroque oboe to recorders to the voice and more. A colleague calls him a ‘once-in-a-generation talent’
Music for solemn occasions has long called for the dark gravitas of a brass ensemble. With its latest recording, Belgium-based period-instrument ensemble InAlto focuses on an especially rich period in the genre’s history.
Anyone who has realized new musical insights while playing a historical instrument will learn much from this new book, examining a French pianoforte that changed Beethoven’s writing style.
A deluxe new film and CD explores Galileo’s scientific achievements through music of his time. The visuals can be hit-and-miss, but “the performances exploring religious themes are simply gorgeous.”
In their recent recording ‘Virtuosa,’ Infusion Baroque proves there is always more to be discovered about women in music. This two-disc set revisits a few familiar names and presents others that will be new to many listeners. The strong performances are enthusiastic and convincing.
In some repertoire, the gulf between singers and instrumentalists is narrowing. The author calls it ‘among the more exciting developments in historical performance,’ which might reshape our understanding of Italian Renaissance music.