EMA introduces the inaugural season of NOW WE LISTEN!, a five-episode podcast celebrating traditionally underrepresented performers, scholars, and research topics in early music and historically informed performance.
EMA’s New Podcast ‘NOW WE LISTEN!’ Read More »
In March 2020, New York City vocal coaches Rachelle Jonck and Derrick Goff, suddenly out of work, created a Facebook group for singers to practice together: Bel Canto Boot Camp.
CANTO: Boot Camp for Singers Read More »
You’re set to play William Lawes’ ‘Harp Consorts’ with three friends. But first answer the big question: which harp are you going to use? The decision touches on cultural politics and fraught matters of historical performance.
For Lawes’ ‘Harp Consort,’ No Right Answers Read More »
Rayner Taylor, by his training and contacts, brought to the cultural landscape of the nascent United States the highest levels of musical education and stylistic perspective. Taylor composed chamber music that catered to the growing musical marketplace (sonatas, popular arrangements, songs) and also larger-scale symphonic works.
Rayner Taylor and the ‘Immigrant School’ of the Early Republic Read More »
She’s remembered for a letter the great Tartini sent her, a key document on 18th c. violin technique. But Maddalena Lombardini Sirmen was herself an inventive composer, and this is the first historical performance CD of her engaging Violin Duets Op. 5.
CD Review: You’ve Got Mail—a Forgotten Violinist Gets Her Due Read More »
