Take REMA/Early Music in Europe’s New Survey

The lingering effects of the Covid-19 pandemic, the upheaval of global conflict, rising pressure on artists and the arts, the urgency of climate change, the rapid digital transformation and inflation have all left their mark on our activities. To support this changing landscape, REMA is inviting all early-music professionals to contribute to a series of short thematic surveys. These surveys covers key areas such as digital practices, diversity, audience engagement, funding, and sustainability. A special survey targeting promoters and ensembles focuses on the dynamics of concert programming.

Anyone involved in the early music sector, REMA members or not, is welcome to participate. Take the survey.

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Recent EMA Features

Deep River Spirituals: America’s ‘Broken Consort’ Songs

Published: November 30, 2024

At the 2024 EMA Summit, countertenor Michael Walker II, viol player Philip Spray, and Alchymy Viols gave a presentation called 'Deep River.' One day, while rehearsing a famous spiritual, writes Walker, 'it reminded me of the viola da gamba in its ability to convey both sadness and joy.'

Read More Deep River Spirituals: America’s ‘Broken Consort’ Songs

Kyiv Baroque Festival, Symbol of Resistance

Published: October 28, 2024

'It takes bravery to come here.' On a daily basis, air-raid sirens drive everyone into bomb shelters, fearful of the next Russian attack. Yet the second edition of the Kyiv Baroque Festival, in war-ravaged, resilient Ukraine, is scheduled for next month. 'The national ensembles have been designated as "reserve." The government has realized that performances are good for society and important for morale.'

Read More Kyiv Baroque Festival, Symbol of Resistance

Concert Projections as ‘Visual Continuo’

Published: October 6, 2024

'I very rarely think a program needs projections, because the music speaks for itself,' says Camilla Tassi, a visual projections designer who works with some of the most celebrated ensembles on the American early-music scene. 'But we have to ask ourselves: Who is this performance for? What are we trying to convey?'

Read More Concert Projections as ‘Visual Continuo’

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