From the Executive Director: ‘We’re at a critical turning point for cultural institutions. Federal funding for arts and culture is rapidly diminishing, and there’s a real fear that foundations, corporations, and individual donors won’t pick up the slack (and might even give less if economic uncertainty continues)…’
Amidst the Turmoil, We Must Make Our Voices Heard Read More »
In a Letter to the Editor, a soprano reacts to a much-discussed EMAg article on higher education in our field. She say the reporting left out an essential component: the students. ‘As a graduate of two early-music programs, I frequently find myself questioning the value of my degrees.’
Collegiate Early Music: You Forgot the Students Read More »
The all-female Ospedali musicians have been hidden twice: once when performing in their own time and once behind Vivaldi in our time. Philadelphia’s Tempesta di Mare uncovers music by some of these long-neglected women musicians.
Hidden Virtuosas: the Women of Venice’s Ospedali Read More »
Early musicians often do wildly creative things with old music, and a really good arrangement can reveal qualities that were unheard in the original. Tina Chancey, with help from friends, gets deep into the weeds: ‘Even an extreme appropriation can work, but you have to own it.’
Good Musicians Borrow, Great Musicians Steal Read More »
As a teacher, administrator, director, and advocate, Jody Miller makes everything in a class or workshop run smoothly. For early music, he says, ‘we expect concertizing is the way we’re going to reach everybody. I want us to think of solutions that work for the type of music we’re dealing with.’
Pied Piper of the Southeast Read More »
