‘A fellow vocalist,’ writes Cecilia Duarte, ‘mentioned to me that whenever she was onstage, she would hear the voices of every person that had ever criticized her. It became clear to me that our artistic community had a huge need…’
Canto: Singing, Mental Health, and the Arts Read More »
In a Letter to the Editor, a soprano reacts to a much-discussed EMAg article on higher education in our field. She say the reporting left out an essential component: the students. ‘As a graduate of two early-music programs, I frequently find myself questioning the value of my degrees.’
Collegiate Early Music: You Forgot the Students Read More »
In 1759, five viols were stashed in a secret vault in Québec City. The viols’ journey tells us about Canada’s musical past, about how ‘ancient’ instruments are woven into the cultural fabric, and about narratives of early-music revivals.
The Curious History of the ‘Caveau’ Viols Read More »
The all-female Ospedali musicians have been hidden twice: once when performing in their own time and once behind Vivaldi in our time. Philadelphia’s Tempesta di Mare uncovers music by some of these long-neglected women musicians.
Hidden Virtuosas: the Women of Venice’s Ospedali Read More »
Early musicians often do wildly creative things with old music, and a really good arrangement can reveal qualities that were unheard in the original. Tina Chancey, with help from friends, gets deep into the weeds: ‘Even an extreme appropriation can work, but you have to own it.’
Good Musicians Borrow, Great Musicians Steal Read More »
