Oberlin Baroque will perform at on Wednesday, May 22, 2019 as part of Early Music America’s Young Performers Festival during the Bloomington Early Music Festival.
2019 Young Performers Festival: Oberlin Baroque Read More »
Early Music America has announced the first recipient of the Margriet Tindemans Early Strings Scholarship which provides support for graduate study outside North America that focuses on medieval, Renaissance, or Baroque stringed instruments
Early Music America Announces Recipient of 2019 Tindemans Early Strings Scholarship Read More »
Early Music America has announced the recipient of the biennial Barbara Thornton Memorial Scholarship, selected by an independent panel of judges.
Early Music America Announces Recipient of 2019 Thornton Memorial Scholarship Read More »
Pianist David Lively and the Quatuor Cambini-Paris, joined by contrebassist Thomas de Pierrefeu, offer a compelling view of these two works on this recording by returning to their roots as salon music.
CD Review: Chopin’s Piano Concertos As Chamber Music Read More »
“Ein feste Burg ist unser Gott,” a hymn virtually synonymous with Lutheranism, opens BWV 80 and exemplifies the reverent yet uniquely moving aesthetic of this recording by Montréal Baroque under Eric Milnes.
CD Review: Bach’s Luther Cantatas Inspirited Read More »
