As answered by The Rose Ensemble founder and Artistic Director, Jordan Sramek. After 20 seasons, how does The Rose Ensemble keep its programming ideas fresh? One of the things for which The Rose Ensemble has been recognized is our keen sense of programming: how we use early music to provide audiences with fresh perspectives on history, […]
Center Stage, July 2017: The Rose Ensemble Read More »
The secret of the Boston Early Music Festival’s success is an ensemble framework that radiates from the centerpiece opera. “Le Carnaval de Venise” by André Campra provided not only a thematic focus for the festival but also the structural resources for many of its other events.
BEMF Animates Campra Opera-Ballet And More Read More »
The scholarship of Michael Marissen has always been characterized by depth of research, fearlessness, and a tendency towards considerable speculation. Those qualities are found in the work under review, a compilation of seven of his essays dealing with religious issues in the music of J. S. Bach.
Probing Bach’s Relationship With God Read More »
This new album by the Swiss viol consort Musicke & Mirth marks the recorded world premiere of both his dances and his secular songs. The material is at once strikingly new and strangely familiar.
Meet German Composer Balthasar Fritsch Read More »
A highly dedicated and resourceful senior nonprofit leader with broad experience, Felter initiated and implemented many critical updates during her tenure including the hiring of a new magazine editor, the re-design of EMAg, The Magazine of Early Music America, and a much-improved re-designed website with integrated database. Other significant projects included the launch of Early Music Month and MeetUps.
Ann Felter, Executive Director of EMA, To Step Down Read More »
