John Butt and the Dunedin Consort reimagine the full original version — not once, but twice, including both choral options of soloists singing alongside a choir of men and boys and the chorus comprising only the soloists.
CD Review: Handel’s ‘Samson’ Stylishly Done Minus Cuts Read More »
My favorite part of any rehearsal process begins when the focus is on recitative. For many singers, especially those who concentrate on Baroque music, recitative is a Holy Grail of interpretation and performance, offering insights into style that can reveal virtually every affective tool of the trade. The genre is no less valuable for those
Canto: Relishing Recitativo Read More »
Violinist Mark Fewer and harpsichordist Hank Knox seize on the variety in Vivaldi’s sonatas to create a sensitive and exciting recital.
CD Review: Vivaldi Violin Sonatas Performed With Flair Read More »
Mark Kroll’s commentary airs issues of interest to anyone playing not just Hummel but also the keyboard music of Schubert to the very early Romantics.
Book Review: Hummel Provides Invaluable Keyboard Advice Read More »
Thanks to the wonders of modern technology, painstaking work of two college professors, and radiant sound of Cappella Romana, it is possible to imagine what a medieval Byzantine service might have sounded like.
Medieval Chant Blossoms In Virtual Acoustic Read More »
