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Alkemie presents “Singing Truth to Power – Medieval Protest Music” Online Release

“Singing Truth to Power – Medieval Protest Music” is a new Alkemie program of medieval and traditional protest music that calls on us all to continue the centuries-old tradition of resistance to the forces of corruption and oppression. This program includes works from the Carmina Burana and the Roman de Fauvel, as well as the

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Handel and Haydn Society Announces 2022 Youth Choruses Scholarship Award Recipients

(Boston May 27, 2022) Recognizing a high degree of achievement in and a commitment to vocal arts, the Handel and Haydn Society announced the recipients of the 2022 Youth Choruses Scholarship Awards. Presented annually by the H+H Education Committee, six musicians who are members or alumni of the Youth Choruses are awarded scholarships between $1,000

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Introducing EMA’s Young Performers Festival and Emerging Artists Showcase

Early Music America’s Young Performers Festival and the Emerging Artists Showcase presents some of the most talented and inspiring musicians in North America, this year June 8 – 10, as part of the Berkeley Festival & Exhibition (BFX), which runs a full week starting June 5. The festivities begin with Virtual Showcase on June 1 & 3 via YouTube.

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Madness, Revenge, and New Music: Looking for the Lost Finale of ‘L’Orfeo’

This week, Seattle-based Pacific MusicWorks, for their upcoming season finale (May 20 and 21), will give the world premiere of a new musical completion of the finale scene that appeared at the end of the originally published libretto for Claudio Monteverdi’s L’Orfeo. Combining sung and danced performance, this alternate ending is the work of Stephen Stubbs, the lutenist, conductor, and the founder and artistic director of Pacific MusicWorks, with choreography by Baroque dance specialist Anna Mansbridge.

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South Asian Singers Find a Home in Early Music

Sopranos Maya Kherani and Sherezade Panthaki (at right) and tenor Asitha Tennekoon are among a growing number of South Asian musicians working to promote more diversity in early-music casting and programming while building their own impressive careers. “I knew what it was like to not have role models,” says Kherani. “I thought if I could change that for one young person by being proud and open about my heritage, I should do it.”

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Tempesta di Mare Concludes 20th Anniversary Celebration with Orchestral Rediscoveries

Tempesta di Mare concludes its 20th anniversary season with the orchestral concerts of its three-program focus, Season XX. The program, Season XX: Orchestra features works from Tempesta di Mare’s past twenty years of rediscoveries by Fasch, Reutter and Janitsch, plus a colorful orchestral suite by Telemann. Season XX: Orchestra will be performed in-person on May

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Viols to Virginia, Music in Colonial America

The only known extant works for viola da gamba in British Colonial America are found in the James River Music Book, a manuscript that has resided in Virginia since the 1730s and contains 15 works for solo viola da gamba, among other musical items. The earliest layer of the JRMB holds music by Lully, Purcell, and Handel, nearly doubling the page count of surviving instrumental music from the period and contributing repertoire for viola da gamba, organ, harpsichord, violin, and voice to the music now known to have been played in colonial Virginia. This article was first published in the May 2020 issue of EMAg.

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