On their new recording, ‘Out of Italy,’ Phoebe Carrai and Beiliang Zhu have created a rich, extraordinarily performed program of Baroque and early Classical works
CD Review: Baroque Cellists Reach The Heights Read More »
Baritone Thomas Meglioranza and pianist Reiko Uchida made their recording in Oberlin Conservatory’s Clonick Hall, where they had access to an 1829 Viennese fortepiano built by Anton Zierer only six years after the ink was dry on Schubert’s manuscript.
CD Review: Schubert Cycle Poignantly Shaped Read More »
Boston University’s Center for Early Music Studies (CEMS) seeks to make connections with a conference, “Atlantic Crossings: Music from 1492 through the Long Eighteenth Century,” which will be held June 7 and 8.
Exploring Music From Old World To New Read More »
Frescobaldi and Fantini left a few clues as to how one might approach their works, although those details are still hotly contested.
Acoustics in the Age of Frescobaldi and Fantini Read More »
The Ricercar Consort performs the cycle of seven Buxtehude cantatas collectively called ‘Membra Jesu nostri,’ which was dedicated to Gustav Düben, an organist, composer, and director of music to the King of Sweden, in 1680.
CD Review: Buxtehude Cantatas Revived Read More »
