Leave it to Biber! Rarely heard ensemble pieces that are fun and lively by this amazing and inventive composer. Could write about any number of his pieces – including his “Black Forest Bluegrass”…. Benjamin K Roe President & CEO, Heifetz International Music Institute EMA Board Member
Franz Ignaz Heinrich von Biber: “Battaglia à 10” Read More »
The USC Collegium Workshop will present “Mi verry joy: Music from the Shores of England and France” as part of Early Music America’s Young Performers Festival, May 22-24, 2019, during the Bloomington Early Music Festival.
Young Performers Festival 2019: USC Collegium Workshop Read More »
<span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span> Lesser known music from the early-mid 17th century is becoming more popular for historical ensembles to perform, although still almost entirely unknown to modern players and audiences. Quicksilver specializes in this music, performing it as I (full disclosure- former student of violinist Julie Andrijeski
Antonio Bertali: Sonata à 3 in D minor Read More »
A beguiling new album by the Montreal-based ensemble Infusion Baroque focuses on works by the German composer Georg Anton Kreüsser (1746-1810).
CD Review: Infusion Honors Kreüsser Read More »
The goal of “A Critical Companion to Medieval Motets” is to define the motet genre as pluralistic and multifaceted in style, giving space to both French- and English-language motets.
Book Review: Probing Medieval Motets Read More »
