New Trinity Baroque performs ‘Membra Jesu nostri,’ seven interrelated cantatas each describing a part of the body of the crucified Jesus (thus: feet, knees, hands, sides, breast, heart, and face).
CD Review: Buxtehude Cycle Continues To Touch The Heart Read More »
“Gli equivoci nel sembiante” makes a very pleasant impression on the Canadian label Musica Omnia’s well-engineered new recording featuring Capella Intima, Gallery Players of Niagara, and Nota Bene Baroque Players.
CD Review: Early Scarlatti Opera Handsomely Done Read More »
Avery Amereau’s debut solo recording, a collaboration with Philharmonia Baroque Orchestra and Nicholas McGegan, covers Handel’s music for star operatic altos of both sexes.
CD: Rising Contralto Triumphs In Handel Arias Read More »
Charlotte Mattax Moersch, harpsichord professor at the Urbana-Champaign campus of the University of Illinois, impressively made two recordings of music by members of the Bach family on adjacent days in June 2018.
CD Review: Double Dose Of Bachs By Daring Harpsichordist Read More »
“As long as I can remember, inclusion has been an important focus, but it’s come much more to the fore recently,” says cellist Kenneth Slowik, director of both the Smithsonian Haydn Academy and the Oberlin Conservatory’s Baroque Performance Institute.
Two Early Music Programs Embrace Change And Inclusion Read More »
