Anoymous: Canario (17th century)
I love hearing the two recorders improvising together in Canarios.
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Robert Carver: O bone Jesu a19
I have always loved Carver’s nineteen-voice motet for its easy navigation between intricately decorative figures and large-scale tutti acclamations that are both grand and serene at the same time.
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Louis Couperin: Suite de Pièces in C Major: Passacaille
When you play Louis’s music on a harpsichord, you understand why the instrument exists.
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CD Review: O’Dette Revels In De Rippe’s Lute Music
As one of the most influential, technically precise, and emotionally expressive performers in the lute world, Paul O’Dette is a fine candidate to be De Rippe’s modern-day counterpart.
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CD Review: Bach’s Cello Suites Eloquent On Violin
Johnny Gandelsman takes these secularly composed, now sacredly received works higher in pitch while keeping the music refreshingly down to Earth.
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