The Thornton Scholarship funded Weston’s travel to study the Occitan language, the interpretation of Trecento music, Italian and French mensural notation, and medieval flute.
Karin Weston: Thornton Memorial Scholarship Reflection Read More »
The outlines of North America’s exciting landscape of period-instrument ensembles are taking shape as the 2019-2020 season unfolds.
Period Ensembles Alive And Well Read More »
The ensemble’s impressive first disc promises and delivers the complete works of Leonora Duarte (1610-1678), the accomplished daughter of a prosperous Iberian converso jeweler who was resident in Antwerp.
CD Review: Sonnambula Debuts With Duarte Read More »
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On its new recording, ‘Folia,’ the ensemble’s comfort with the material shines through. The slower movements are graceful and expressive, the faster ones exciting.
CD Review: Sebastians Illuminate Vivaldi And Friends Read More »
Chatham Baroque (above) and the presenting organization Renaissance & Baroque, which merged in 2018, are looking to build on the success of their first year together as they head into 2019-20 season.
Teamwork Pays Off In Pittsburgh Read More »
The Czech-born harpsichordist Zuzana Růžičková (1927-2017) recounted her amazing life in ‘One Hundred Miracles: A Memoir of Music and Survival,’ written with Wendy Holden.
Book Review: Inspiring Profile In Courage Read More »
Community baroque orchestras that provide performing outlets for amateurs and professionals are on the ascent in North America.
‘The Collective Joy of Music-Making’ Read More »
There are a lot of compelling and fascinating arguments for this kind of program featuring harpsichordist Rebecca Cypess and fortepianist Yi-heng Yang. Yet the recital justifies itself entirely on musical grounds.
CD Review: Bachs On Harpsichord And Fortepiano Read More »
