Rumore Terribile will perform as part of the Early Music America’s Emerging Artists Showcase, May 24-26, 2018, as part of the Bloomington Early Music Festival.
2018 Emerging Artists Showcase: Rumore Terribile Read More »
The sheer beauty of Reginald Mobley’s voice and the conviction that pervades all he sings have propelled him to a still-growing career, which so far has largely been based in Europe, often under the aegis of Sir John Eliot Gardiner.
Upward Journey For Countertenor Mobley Read More »
In introducing the viola da gamba as a solo recital instrument in 1961, Hsu initiated the development of historical performance practice at Cornell, attracting expert faculty in the field and leading to the establishment of a center for the study of 18th-century instrumental music and a graduate degree program in historical performance practice.
Professor Emeritus, Musician and Scholar John Hsu Dies Read More »
Peabody Institute’s B’More Bach Ensemble will perform as part of the Early Music America’s Young Performers Festival, May 24-26, 2018, as part of the Bloomington Early Music Festival.
2018 Young Performers Festival: The B’More Bach Ensemble Read More »
Boston harpsichordist Mark Kroll is currently five CDs deep in his project to record the complete harpsichord works of François Couperin for the Centaur label. It’s a steep mountain to climb: The composer compiled 27 Ordres or suites of pieces in four books between 1713 and 1730, but Kroll is more than equal to the task.
Couperin Marathon In Masterful Hands Read More »
