We have put music in front of them that they have never seen; we have empowered them to engage in improvisation; we have put instruments in their hands that they have only seen in pictures
The Case for Collegium Musicum Read More »
There’s also a great deal of mystery behind these Mystery sonatas. We don’t know exactly when they were written, how they were meant to be performed, or indeed if they were ever played in public in their complete form.
Building a Mystery: Boston Baroque Plays Biber Read More »
Baroque cellist Emily Davidson talks about why she plays early music and how she fell in love with historical performance practice in a new video from her successful YouTube channel.
Why I Play Early Music Read More »
When the Boston Early Music Festival needed advice on how to revive the French Baroque opera Le Carnaval de Venise for its 2017 season, the artistic directors turned to Cornell musicologist Rebecca Harris-Warrick.
Musicologist Revives Dance In French Baroque Opera Read More »
We are looking to inspire the next generation of early music performers and listeners. As one student remarked, “I want to do what you’re doing when I grow up!” We share this hope.
Bach Society Houston Puts Bach In Schools Read More »
