The eclectic ensemble Magdalena, its members trained in historical performance, explored their broad interests at last year’s EMA Emerging Artists’ Showcase concert. From Irish sean-nós folk singing to a Renaissance dance suite, their program explored music associated with historical women named Magdalena.
Showcasing ‘The Women of Magdala’ Read More »
The Ospedale di Santo Spirito, a hospital, orphanage, and charitable institution in Rome (founded in 1198), entwined worlds of religion, music, and therapeutic care. Although regulated by the Catholic Church, the hospital was also responsive to cultural and scientific changes.
Music and Healing at a Rome Ospedale Read More »
Violinist Amelia Sie and friends gave a sensational performance at the 2024 EMA Emerging Artists Showcase. Their virtuosic program explored scordatura (or cross-tuning), the re-tuning of violin strings for new sonic effects. From Baroque composers to Appalachian fiddlers, it creates sounds at once spectacular and down-home.
Picking Up Good Vibrations at the EMA Showcase Read More »
For almost a decade, conductor Raphaël Pichon and his Pygmalion ensemble and choir have offered some extraordinary performances of the Baroque classics. Their latest is Bach’s B-minor Mass, played with accuracy and verve and notable for its 30-voice chorus. This is historical performance singing at the highest level.
When the Chorus Comes First in the B-minor Mass Read More »
Elisabeth Wright puts a lifetime of study, performing, and teaching into her new recording of keyboard suites by Jean-Henri D’Anglebert, one in a string of harpsichord masters serving Louis XIV. Her love for this music is everywhere apparent, and her readings are lucid, expressive, and never static.
Sweet Dreams Are Made by D’Anglebert Read More »
