Letter to the Editor: ‘It’s sort of a compliment that the current re-structuring of the Harvard Baroque Chamber Orchestra is taken as a paradigm for the decline in early-music studies in higher education…I see HBCO returning to its roots in a necessary and salutary way.’
Praise for Harvard Baroque Returning to Its Roots Read More »
Searching for music actually linked to the late-14th c. ‘Canterbury Tales,’ Elisabeth Ellison found almost none. So she searched the archives and found dance tunes and sacred works that Geoffrey Chaucer and his pilgrims may have heard in their own day.
Music to Accompany the Canterbury Tales Read More »
As historically informed musicians know, a performance conveys much more than just the notes on a page. ‘Performing by the Book,’ a recent collection of essays, covers an enormous temporal range — not exhaustive, of course, but by moving from the 15th century to the 21st it yields interesting comparisons.
The Murky Space Between Page and Stage Read More »
At the end of April, French conductor Marc Minkowski was named Boston Baroque’s second-ever music director, following the retirement of founder Martin Pearlman. EMA caught up with the marquee early-music conductor to hear his thoughts on the future of the ensemble and where he sees areas of strength and growth.
(Re)Discovering Boston Baroque’s New Music Director Read More »
Throughout European history, the lament has been associated with women. The outstanding Cappella Artemisia, led by Candace Smith, turns its attention to this mournful weeping and the Italian convents of the 16th and 17th c.
Wailing Women and Italian Convents Read More »
