A music-theater cabaret — reimagining a 1970s fantasy on gay freedoms in a society not ready to accept it — premiered in Europe to acclaim and just arrived in New York. Baroque instruments help create a soundworld where, ‘paradoxically, historical instruments bring a quality of timelessness.’
A Hit Show on Queer Time and Baroque Instruments Read More »
The early demise of American mezzo-soprano Lorraine Hunt Lieberson left an unfillable hole in the hearts of many listeners. A newly remastered recording captures the burnished beauty of tone, commitment to character, and intensity that made her such an unforgettable artist.
Bliss: Lorraine Hunt Lieberson Sings Handel Read More »
Trésors Oubliés, the debut album from New York’s period-instrument Quodlibet Winds, is devoted to music from early 19th-century Paris. The ensemble makes a stellar case for this repertoire. While strict in form, ‘there’s a sense of freedom and spontaneity that invites listeners inside the music.’
Forgotten Treasures from Quodlibet Winds Read More »
Concordian Dawn’s ‘Caroles by Candel-lēoht’ service, a Christmastime tradition, is the inspiration for the Medieval ensemble’s latest album. The music comes from English, Hebrew, Latin, and Sephardic traditions in an often fraught search for ‘redemption and salvation.’
Christmas with Concordian Dawn Read More »
A valuable new book (and accompanying website) on protest songs gives insightful political context to music that can seem detached from its original meaning and culture. ‘A protest song, like protest itself, is intent upon political change—of ideas, attitudes, or actions.’
Subversion and Protest in Song Read More »
