In recent years, there’s been so much new information on J.S. Bach’s six cello suites that it can be hard to keep up. A new book is not only the newest (and therefore the most up-to-date) entry in the long catalog of Bach suite studies, it is also outstandingly comprehensive in scope.
Keeping Up With the Bach Cello Suites Read More »
Two esteemed ensembles, two recordings, a new double-disc set. Almost a decade in the making, Ensemble Peregrina and Ensemble Gilles Binchois team up for ‘Summa Leticia: A Survey of Nova Cantica in France, c. 1100’ — music that was radical in its day and, for us, is loaded with such ambiguity that this repertoire is infrequently performed.
Two Ensembles Double Up for Nova Cantica Read More »
A music-theater cabaret — reimagining a 1970s fantasy on gay freedoms in a society not ready to accept it — premiered in Europe to acclaim and just arrived in New York. Baroque instruments help create a soundworld where, ‘paradoxically, historical instruments bring a quality of timelessness.’
A Hit Show on Queer Time and Baroque Instruments Read More »
The early demise of American mezzo-soprano Lorraine Hunt Lieberson left an unfillable hole in the hearts of many listeners. A newly remastered recording captures the burnished beauty of tone, commitment to character, and intensity that made her such an unforgettable artist.
Bliss: Lorraine Hunt Lieberson Sings Handel Read More »
Trésors Oubliés, the debut album from New York’s period-instrument Quodlibet Winds, is devoted to music from early 19th-century Paris. The ensemble makes a stellar case for this repertoire. While strict in form, ‘there’s a sense of freedom and spontaneity that invites listeners inside the music.’
Forgotten Treasures from Quodlibet Winds Read More »
