Swedish composer Johann Helmich Roman coined the term ‘Assaggi’ for his solo violin works, first published in 1740. Inventive and often lacking tempo markings, these brilliant pieces invite an improvisatory approach. Canadian American violinist Alison Luthmers’ new recording delivers beautifully, with a rich variety of tone.
J.H. Roman’s Inventive, Beguiling ‘Assaggi’ Read More »
Academia de Música Antigua de MedellÃn is one of a few schools in Latin America that teaches historical performance. But newer students will need instruments. In a brilliant partnership, the inaugural Latin American Congress on Baroque Luthiery will help supply the Academia with a range of stringed instruments.
21 Reasons the HIP Kids Flock to MedellÃn Read More »
This new study broadens our understanding of the Enlightenment in Spain. Author Sánchez-Rojo builds a case for the modernization occurring in 18th-century Spain and explores the very notion of modernity, including the boom of the Spanish periodical press in the 1780s and a captivating treatment of music and medicine focused on the tarantella.
Musical Modernity in Enlightenment Spain Read More »
The French vocal and instrumental ensemble Les Kapsber’girls take their punning name from Hieronymus Kapsberger, but on their third album this exquisite group branches out to present an array of vocal works by Italian women composers from all walks of life and levels of fame.
Flying Among the Blessed Choirs with Les Kapsber’girls Read More »
The Amherst Early Music Festival’s Baroque Opera Project this summer focused on a rarity, Georg Reutter’s ‘Dafne.’ Students and early-career singers and instrumentalists brought this ancient #metoo tale to life.
At Amherst Early Music, Students Revived Reutter’s Dafne Read More »
